Études pour une femme assise (recto and verso)
Details
Julio González (1876-1942)
Études pour une femme assise (recto and verso)
signed with initials and dated twice 'j.G. 1938 13-5 et 5-2-39' (within the composition; recto)
colored wax crayons, pen and India ink and pencil on paper (recto); pen and India ink and pencil on paper (verso)
8 3/8 x 13 ¼ in. (21.4 x 33.6 cm.)
Drawn on 13 May 1938-5 February 1939.
Études pour une femme assise (recto and verso)
signed with initials and dated twice 'j.G. 1938 13-5 et 5-2-39' (within the composition; recto)
colored wax crayons, pen and India ink and pencil on paper (recto); pen and India ink and pencil on paper (verso)
8 3/8 x 13 ¼ in. (21.4 x 33.6 cm.)
Drawn on 13 May 1938-5 February 1939.
Provenance
Estate of the artist.
Galerie de France, Paris.
PaceWildenstein, New York.
Acquired from the above by the late owners, April 1996.
Galerie de France, Paris.
PaceWildenstein, New York.
Acquired from the above by the late owners, April 1996.
Literature
J. Gibert, Julio Gonzalez: Dessins, Projets pour sculptures, personnages, Paris, 1975, vol. 9, p. 66 (illustrated).
Exhibited
Antibes, Musée Picasso, Julio González: Sculptures et dessins, September-October 1990.
Reuchlinhaus Pforzheim and Neue Galerie der Stadt Linz, Julio González, July 1992-March 1993, p. 69, no. 44 (illustrated).
Saint Remy de Provence, Les années 60 à la Galerie de France au temps de Myriam Prevot et Gildo Caputo, May-September 1993.
New York, PaceWildenstein, Julio González: Drawing for Sculpture, September-October 1995.
Reuchlinhaus Pforzheim and Neue Galerie der Stadt Linz, Julio González, July 1992-March 1993, p. 69, no. 44 (illustrated).
Saint Remy de Provence, Les années 60 à la Galerie de France au temps de Myriam Prevot et Gildo Caputo, May-September 1993.
New York, PaceWildenstein, Julio González: Drawing for Sculpture, September-October 1995.
Special notice
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