Karl Joseph Aloys Agricola (Sickingen 1779-1852 Vienna)
Karl Joseph Aloys Agricola (Sickingen 1779-1852 Vienna)

The artist's family

Details
Karl Joseph Aloys Agricola (Sickingen 1779-1852 Vienna)
The artist's family
dated 'f. 20 July 1815' (recto), dated and inscribed 'Gemalt 1815. / Meine Mutter-64 Jahr / Julie - 17 - / Carl - 4 Montate' (verso), and with inscription 'La mère, la femme et le fils du Peintre-Graveur / Charles Agricola à Vienne / peint par lui-même/ en 1815. / À droite au coin en haut est il signé par le maître même: A 20 July 1815., / et sur le dos du tableau: Meine Mutter 64 Jahr. / Julie 17 Jahr / Carl 4 Monas. / Ce charmant tableau de famille est le meilleur chef-d'oeuvre du célebre / Peintre-Graveur Viennois et a coûte au premier possesseur trois / Cents florins. Il a été vendu premièrement après la mort du / maître, en même temp époux et père' (on the old backing sheet)
pen and ink, watercolor, bodycolor
7 3/8 x 9 5/8 in. (18.7 x 24.4 cm.)
Provenance
In the artist's possession until his death, then sold posthumously for 300 florins (according to an inscription on the old backing sheet).
Anonymous sale; Doyle's, New York, 15 May 2002, lot 8.
with Jean-Luc Baroni, London, 2003, where acquired by the present owner.

Brought to you by

Jennifer Wright
Jennifer Wright

Lot Essay

Agricola trained in Karsruhe and then in Vienna with Friedrich Heinrich Füger and by the turn of the century had eclipsed his teacher as the preeminent portrait painter in Vienna. The present drawing however, is not a commission, but rather an intimate, charming portrait of the artist's family. Dated 20 July 1820, it depicts the artist's son Carl when he was just four months old as he is adoringly watched over by the artist's wife and mother. Agricola's precise handling of the pigment and controlled, minute brushstrokes attest to his training as a miniaturist.

In a recently rediscovered sketchbook by Agricola there is a drawing of a family that includes parents with two young children and a grandmother that may possibly be the Agricola family once again (see The album of Carl Agricola, 1779-1852: neo-classical figures & early romantic landscapes, exh. cat., New York, Shepherd & Derom Galleries, pp. 10-11, no. 3).

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