Marlene Dietrich/Morocco, 1930
Marlene Dietrich/Morocco, 1930
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Marlene Dietrich/Morocco, 1930

Details
Marlene Dietrich/Morocco, 1930
A watercolour and pencil costume sketch of Marlene Dietrich as Amy Jolly in the Paramount film Morocco, 1930, directed by Josef Von Sternberg, the sketch showing Dietrich in a black bodice with rhinestone belt complete with a feather boa, worn during her performance of What am I bid for my apple, initialled in pencil TB, with 'Production Ink Stamp' to verso completed in pencil Prod # 815, Date 6/8, For Amy Jolly, Costume # 2, Seq. C, with printed typescript label Miss Dietrich and inscribed in pencil Morocco/Paramount Publix Studio; accompanied by a black and white film still [printed later] of Dietrich wearing the costume (4)
Literature
RIVA, Maria Marlene Dietrich, New York: Alfred A. Knopf, 1993, p.101
BACH, Steven Marlene Dietrich, Life and Legend, New York: Da Capo Press, 2000, p.133

Lot Essay

Banton designed this costume for Amy Jolly's [Dietrich] reapparance on stage at the cabaret club for her second number What am I bid for my apple, which she sung in a sultry manner while selling each apple for a high price to the patrons. The bare-legged costume presents a striking contrast with the trousers and tailcoat worn in her debut performance. Steven Bach explains that this - after two songs, one armoured, one stripped for action - is clearly no ordinary woman.

As with the top hat and tails, it appears that Dietrich influenced the design. While filming, a body conscious Dietrich wrote but wait till you see my arms! The fattest things in the film. I had the same trouble with my big thighs. Of course we had to show the legs.... so we designed box-cut shorts in black velvet to hide the hips, but again I had trouble. The black line of the shorts made my white thighs look ENORMOUS, but that I fixed with a long fringed boa. I let it sort of hang on top of whatever thigh was nearest to the camera!

See footnote to previous lot.

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