Lot Essay
Tant par son iconographie que par son style, à la fois gracieux et ludique, cette feuille recto-verso est un parfait exemple des oeuvres de Brebiette, dont le travail a fait l’objet d’un regain d’attention au cours de ces dernières décennies. Bien que n’étant pas directement lié à une estampe particulière, le Triomphe d’Amphitrite au recto est un type de sujet souvent rencontré dans les gravures de l’artiste. En revanche le verso, croquis très tumultueux, est directement préparatoire pour sa gravure dite de l’Armée de Pharaon noyée dans la Mer Rouge, pour laquelle la date de 1636 fut proposée.
In iconography and style, both graceful and playful, this double-sided sheet is a fine example of Brebiette’s draughtsmanship, which has received fresh attention in the last few decades. While not related directly to a specific print, the Triumph of Amphitrite on the recto is a type of subject often encountered in the artist’s own etchings, while the tumultuous first sketch on the verso is in preparation for his etching of the Pharaoh’s army drowned in the Red Sea, for which a date around 1636 has been proposed.
In iconography and style, both graceful and playful, this double-sided sheet is a fine example of Brebiette’s draughtsmanship, which has received fresh attention in the last few decades. While not related directly to a specific print, the Triumph of Amphitrite on the recto is a type of subject often encountered in the artist’s own etchings, while the tumultuous first sketch on the verso is in preparation for his etching of the Pharaoh’s army drowned in the Red Sea, for which a date around 1636 has been proposed.