Pseudo-Caroselli (active in Rome, first quarter of the 17th century)
THE PROPERTY OF A EUROPEAN NOBLE FAMILY
Pseudo-Caroselli (active in Rome, first quarter of the 17th century)

An allegory of the sense of smell and hearing; and An allegory of the sense of sight

細節
Pseudo-Caroselli (active in Rome, first quarter of the 17th century)
An allegory of the sense of smell and hearing; and An allegory of the sense of sight
oil on canvas
29 5/8 x 23½ in. (75.2 x 59.9 cm.)
two

榮譽呈獻

Emily Harris
Emily Harris

查閱狀況報告或聯絡我們查詢更多拍品資料

登入
瀏覽狀況報告

拍品專文

The enigmatic artist concealed behind the name of Pseudo-Caroselli was most likely a pupil of the Roman painter Angelo Caroselli (1585-1652). Possibly of French or Flemish origin, judging from the many subjects derived from etchings after paintings by Maarten Van Heemskerck, Pseudo-Caroselli has been the focus of extensive scholarship, from Roberto Longhi (‘Ter Bruggen e la parte nostra’, Vita Artistica, II, 1927, pp. 95-11) to Vittorio Sgarbi (‘Pseudo-Caroselli, La morte di Cleopatra’, Quaderni del Barocco - Dipinti inediti del Barocco Italiano da collezioni private, 16, 2012). The mysterious painter’s oeuvre now comprises of more than thirty paintings. These two canvases are very close in date to the Vanitas sold Christie’s, Rome, 4 December 1991, lot 113.

更多來自 古典大師及英國繪畫 (日間拍賣)

查看全部
查看全部