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The Brooklyn Museum
Details
RICHARD JOHN HAAS (B. 1936)
The Brooklyn Museum
etching and aquatint, 1991, on wove paper, signed and dated in pencil, numbered 99/180 (there were also 25 artist's proofs), with the Branstead Studio blindstamp, New York, co-published by the Brooklyn Museum of Art, New York, with full margins, two unobtrusive soft handling creases and an area of slight skinning in the lower margin, a small spot of very minor surface soiling in the upper right margin corner, otherwise in very good condition; and ARATA ISOZAKI (B. 1931) AND JAMES STEWART POLSHEK (B. 1930), The Brooklyn Museum Master Plan--screenprint in colors, 1988, on Arches, signed by both artists in pencil, numbered 42/200 (there were also 16 artist's proofs), published by the Brooklyn Museum of Art, New York, with full margins, the palest time staining at the extreme lower margin corners, a few unobtrusive soft handling creases in the lower margin, otherwise in very good condition
various sizes (2)
The Brooklyn Museum
etching and aquatint, 1991, on wove paper, signed and dated in pencil, numbered 99/180 (there were also 25 artist's proofs), with the Branstead Studio blindstamp, New York, co-published by the Brooklyn Museum of Art, New York, with full margins, two unobtrusive soft handling creases and an area of slight skinning in the lower margin, a small spot of very minor surface soiling in the upper right margin corner, otherwise in very good condition; and ARATA ISOZAKI (B. 1931) AND JAMES STEWART POLSHEK (B. 1930), The Brooklyn Museum Master Plan--screenprint in colors, 1988, on Arches, signed by both artists in pencil, numbered 42/200 (there were also 16 artist's proofs), published by the Brooklyn Museum of Art, New York, with full margins, the palest time staining at the extreme lower margin corners, a few unobtrusive soft handling creases in the lower margin, otherwise in very good condition
various sizes (2)