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Robert Gober (b. 1954)
signed, numbered and dated 'Edition AP # 9/10 R. Gober '92-96' (on the reverse)
photolithographic ink on paper
22½ x 13½ in. (57.2 x 34.3 cm.)
Executed in 1993. This work is artist's proof number nine from an edition of forty plus ten artist's proofs.
Luhring Augustine, New York
C. Hartley, "Talk of the Trade: New York," Art & Auction, January 1997, p. 32 (illustrated).
C. Boyer, "Sous La Peau Du Vetement, Le Corps De L'Art," Omnibus Journal D'Art, July, 1997, pp. 12-13 (illustrated).
J. Rian, "Sous Le Manteau," Flash Art, November-December 1997.
R. Flood, Robert Gober: Sculpture + Drawing, Minneapolis, 1999, p. 21 (illustrated).
J. Perl, "Our Dadaist," The New Republic, April 2000, pp. 66-68, 70. R. Haywood, "Robert Gober's Virgin and Drain," Thresholds Issue 23, Fall 2001, p. 41 (illustrated).
D. Wyne, Artists & Prints Masterworks from The Museum of Modern Art, New York 2004, p. 242 (illustrated).
S. O'L. Higgins and C. Striegel, Press Gallery: The Newspaper in Modern and Postmodern Art, Spokane, 2005, p. 140 (illustrated).
G. Glueck, "Self-Portraits That Obscure the Self," The New York Times, 5 January 2007, p. E41.

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