Sakai Hoitsu (1761-1829)
Sakai Hoitsu (1761-1829)

Chofu Jewel River

Details
Sakai Hoitsu (1761-1829)
Chofu Jewel River
Signed and dated Kinotomi shoto (early winter, 1785) Fuso Toryo ga, sealed Toryo no in
Hanging scroll; ink, color and gold on silk
28 x 10 7/8in. (71.2 x 27.7cm.)
Provenance
Louis Gonse, Paris

Lot Essay

PUBLISHED:
Tamamushi Satoko, Sakai Hoitsu, Shincho Nihon bijutsu bunko, vol.18 (Tokyo: Shinchosha, 1997), pl. 2.

Hoitsu is well-known as a Rinpa artist, but he also painted ukiyo-e style beauty paintings in his early period. These resemble those of his contemporaries Katsukawa Shunsho (1726-93) and Utagawa Toyoharu (see lot. 118). Hoitsu signed this painting Toryo, a name he used from his teens through twenties.

The poem is by Ota Nanpo (Shokusanjin [1749-1823]), satirist and leading light of the Edo literary scene in the late 18th and early 19th centuries. He was a close friend of Hoitsu through the kyoka (comic verse) circles to which the artist also belonged in the 1780s. Nanpo's poem is based on a poem by an unknown poet contained in vol. 14 of the Man'yoshu (Collection of a Myriad Leaves), the anthology of classic verse written before 760:
Tamagawa ni sarasu tetsukuri sarasarani
mukashi no fude to sarani omowazu

When I bleach the softest hand-made cotton in the Jewel River, I recall the love letter I once wrote to you.

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