SET OF AMETHYST, RUBY AND DIAMOND 'LEAVES' JEWELRY, SUZANNE BELPERRON
SET OF AMETHYST, RUBY AND DIAMOND 'LEAVES' JEWELRY, SUZANNE BELPERRON
SET OF AMETHYST, RUBY AND DIAMOND 'LEAVES' JEWELRY, SUZANNE BELPERRON
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PROPERTY FROM THE COLLECTION OF JUDITH-ANN CORRENTE
SET OF AMETHYST, RUBY AND DIAMOND 'LEAVES' JEWELRY, SUZANNE BELPERRON

Details
SET OF AMETHYST, RUBY AND DIAMOND 'LEAVES' JEWELRY, SUZANNE BELPERRON
Carved amethyst leaves, cushion and oval-shaped rubies, old and single-cut diamonds, 18k gold and platinum (French marks), necklace 14 ins., cuff diameter 2 1/8 ins., circa 1936, unsigned, each with maker's mark (Groëné et Darde for B. Herz), navy blue B. Herz fitted cases
Belperron, 2019: Certificate of Authenticity
Provenance
Mrs. William (Dorothy) Paley
Literature
P. Corbett, W. Landrigan, N. Landrigan, Jewelry by Suzanne Belperron, Thames & Hudson, 2015, p. 2-3, 138-39
Exhibited
Exhibited at the opening of the Belperron store in New York, New York, October 2015

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Daphne Lingon
Daphne Lingon

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Lot Essay


As stated on the Certificate of Authenticity from Belperron, this set is originally from the collection of Dorothy Paley Hirshon. The bracelet was worn by her in a photograph by Horst featured in the November 1938 issue of Vogue.


Elegant and audacious, Suzanne Belperron pioneered a new aesthetic in jewelry. While perhaps the most important female jeweler of the Twentieth Century, she is relatively unknown today except to collectors. Asked once why she never signed her work, Madame Belperron replied, ‘My style is my signature.’

Born in Eastern France in 1900, Belperron studied drawing and jewelry at the École des Beaux-Arts in Besançon, beginning her career in 1919 as a model-maker and designer at the celebrated Maison René Boivin in Paris, eventually becoming co-directress with Jeanne Boivin. Though designing at the avant-garde of Art Deco, she quickly tired of the new vogue and began experimenting with a more sensual style that is still so arrestingly modern today. Recognizing this burgeoning talent, Bernard Herz, a Parisian stone dealer, hired away the young Suzanne in 1932 to design exclusively under his company name, B. Herz. With her newfound artistic freedom, she left behind the rigid lines of Art Deco to invoke the delicacy of wings, petals, and fruit, carving these organic shapes from hardstone and adorning them with precious gems. She drew on motifs from a range of cultures – African, Cambodian, Celtic, Egyptian, Indian, Mayan – and created a daring new look in fine jewelry. Paris Vogue photographed Schiaparelli wearing Belperron’s creations in 1933, declaring them, ‘the new theme in jewels.’

The 1930s were a period of creative and commercial success for Madame Belperron, gaining her a famously influential following – but World War II brought hardship and tragedy. In German-occupied Paris, Belperron re-registered the company under her own name to protect it from confiscation. While Bernard Herz had formally retired at the onset of war, he remained a target of the Nazi regime and was arrested twice, the second time along with Madame Belperron in November 1942. While Belperron was released, Herz was sent to the internment camp, Drancy, in the northeast suburb of Paris. Belperron “moved heaven and earth” to release him but as Herz was over 65 years of age, he was sent to Auschwitz, where he was executed upon arrival. Madame Belperron received at least thirteen offers to escape France during the war years, but chose instead to remain in occupied Paris, preserving the company for Herz’s son, Jean, who returned safely from the front after being released as a prisoner of war. Together, they formed a new partnership, Herz-Belperron, which flourished until their retirement in 1974.

In 1963, Madame Belperron was awarded a Legion of Honor for her contributions to the jewelry industry, but her influence as a designer continued to grow, even after her death in 1983. Throughout her career, her clients included the Duchess of Windsor, Diana Vreeland, Dorothy Paley Hirshon and Barbara ‘Babe’ Cushing Mortimer Paley, amongst many others.

Having long admired her work, Ward Landrigan, owner of Verdura, acquired the Belperron name and archive of designs in 1999. Ward and his son, Nico Landrigan, President of Verdura and Belperron, continue today to share Madame Belperron’s vision with collectors.

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