Sir David Wilkie, R.A. (Fife 1785-1841 Malta)
Sir David Wilkie, R.A. (Fife 1785-1841 Malta)
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Sir David Wilkie, R.A. (Fife 1785-1841 Malta)

The daughter of Admiral Walker, Emily Wake Walker

Details
Sir David Wilkie, R.A. (Fife 1785-1841 Malta)
The daughter of Admiral Walker, Emily Wake Walker
signed, inscribed and dated 'D Wilkie ft. Constantinople/ Decbr 10th 1840' (lower right)
pencil, black chalk and stump, watercolour and bodycolour
12 5/8 x 10 7/8 in. (32.1 x 27.6 cm.); and a coloured lithograph after the drawing
Provenance
The family of the sitter, and by descent.
Anonymous sale; Sotheby's, Olympia, 11 July 2007, lot 40.
Engraved
J. Nash, lithograph, Sir David Wilkie's Sketches in Turkey, Syria & Egypt, 1840 & 1841, London, 1843.
Sale room notice
Please note that the provenance for this lot should read:
The family of the sitter, and by descent.
Anonymous sale; Sotheby's Olympia, 11 July 2007, lot 40.

We are grateful to Briony Llewellyn for suggesting that the sitter could be either Emily Wake Walker, or her sister Mary Anne (b. 1836).

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Iona Ballantyne
Iona Ballantyne

Lot Essay

Wilkie travelled to the Near East in the autumn of 1840, crossing Europe and arriving in Constantinople, where he became stranded for several months, due to military unrest in Syria. Whilst there, he became well acquainted with the British expatriates in the city, and he made many watercolour portraits, largely in the Oriental dress which was habitually worn by Europeans living there.

The little girl depicted here is Emily (1837-1916), daughter of Sir Baldwin Wake Walker (1802-1876), British commander of the Ottoman Navy and one of Wilkie's great friends in Constantinople. Known to the Turks as Walker Bey, he had been living there with his family since 1836. Aged three at the time of this portrait, Emily is depicted in the traditional Turkish costume worn by girls and women of all ages: loose 'salvar' trousers, an open overdress, and head dress with veil. Of her father, Wilkie wrote in his journal, 'He is a fine-looking man; becomes the Turkish dress well, and his wife is a most ladylike woman.'

Another version of the present drawing, dated 8 December, was given to the Fitzwilliam Museum, Cambridge, by the artist Charles Fairfax Murray (1849-1919).

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