Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)
Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)

The Death of Medusa (a fragment)

Details
Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898)
The Death of Medusa (a fragment)
oil on canvas, unframed
24 ¾ x 31 in. (63 x 79 cm.)
Provenance
The artist (†); Christie's, London, 16 July 1898, lot 75 (100 gns to Charles Fairfax Murray).
Margaret Mackail, the artist's daughter.
Her sale; Christie's, London, 3 December 1954, lot 38 (10 gns to Gribble).
Literature
S. Wildman et. al., Edward Burne-Jones: Victorian Artist-Dreamer, New York, 1998, p. 228.
Sale room notice
We are grateful to Professor David Ekserdjian for pointing out that the composition was evidently inspired by the rear view of The Dying Gaul. The Dying Gaul, also known as The Dying Galatian, is an Ancient Roman marble copy of a lost Hellenistic sculpture of the late 3rd Century BC, now in the Capitoline Museums, Rome.

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Lot Essay

This is a fragment of an unfinished canvas representing the death of the gorgon Medusa. One of a series of ten designs illustrating the story of Perseus's search for Medusa and his rescue of Andromeda, the series was commissioned in 1875 by the young Tory politician Arthur Balfour, and was conceived as a frieze running round the music room at his London house, 4 Carlton Gardens. Burne-Jones originally planned to execute some of the designs as oil paintings and others as reliefs in gilt gesso on oak panels, but when the first of these panels (National Museum of Wales, Cardiff) was exhibited in 1878 it met with a hostile reception and he decided to treat all the designs as paintings. Full-scale cartoons in gouache are in the Southampton Art Gallery, and the final oil paintings, some of them unfinished, are in the Staatsgalerie at Stuttgart.

In The Death of Medusa, which was conceived as a painting from the outset, Perseus has just cut off the gorgon's head while her two sisters, greatly distressed, circle wildly. The present fragment comes from an early version of the composition and shows the figure of the dying Medusa. The design was later altered radically, and in the oil cartoon the figure of Medusa is clothed. A preparatory study for the subject as it was originally conceived is illustrated here (fig. 1). Another fragment, A Gorgon (fig 2.), from the same canvas, was sold in these rooms on 11 July 2013, lot 47 (£217,875).

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