TATSUO MIYAJIMA (JAPAN, B. 1957)
TATSUO MIYAJIMA (JAPAN, B. 1957)

CHANGING TIME WITH CHANGING SELF NO. 22

Details
TATSUO MIYAJIMA (JAPAN, B. 1957)
CHANGING TIME WITH CHANGING SELF NO. 22
titled ‘Changing Time with Changing Self No.22’ (on the reverse)
light emitting diode, IC, electric wire, mirror, steel frame
54 x 54 x 4.5 cm. (21 1/4 x 21 1/4 x 1 3/4 in.)
Executed in 2001
Provenance
Luhring Augustine, New York, USA
Acquired from the above by the present owner
Private Collection, USA

This work is accompanied by a certificate of authenticity issued by the artist’s studio.
Sale room notice
Please note that Lot 118 has additional signature details and the front of the Lot is a silvery reflective mirror surface.
拍品編號118附更多簽名詳情,正面為可倒映之銀色鏡面。

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Annie Lee
Annie Lee

Lot Essay

Japanese artist Tatsuo Miyajima fuses technology with a Buddhist's appreciation for time, existence and the mutability of experience. He uses advanced technology and mathematics to convey universal concerns over life, death, and the passage of time. In the lot featured here, Changing Time with Changing Self No. 22 (Lot 118), Miyajima reduces his usual monumentally scaled sculptures to something more domestic in scale, heightening the intimacy of the relationship between the work and the viewer. A sheer, reflective black mirror surface is illuminated by a steady dance of numbers, cycling perpetually through 1 and 9. The number zero looms over the piece by its absence, and the viewer is drawn into the mesmerizing loop, marked by the light dramatic tension of that which never appears. Miyajima himself is a Buddhist, and "zero", or nothingness, or in the Buddhist idiom, "no thing", is not something that can be represented but something which must be perceived. Miyajima's works then manage to embody the profound dualities of existence. He enacts both the uniqueness of a particular moment in time and its effervescence.

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