Thomas Hill (1829-1908)
Thomas Hill (1829-1908)
Thomas Hill (1829-1908)
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The Legend of the West: Iconic Works from the T. Boone Pickens Collection
Thomas Hill (1829-1908)

Sir Donald Peak in the Selkirk Mountains, Canadian Pacific

Details
Thomas Hill (1829-1908)
Sir Donald Peak in the Selkirk Mountains, Canadian Pacific
signed and dated 'T. Hill./1890.' (lower right)
oil on canvas
87 ¼ x 62 ¼ in. (221.6 x 158.1 cm.)
Painted in 1890.
Provenance
The artist.
Alexander Allan, Glasgow, Scotland (probably), acquired from the above.
Claud A. Allan, Cardross, Scotland, son of the above, by descent, 1892.
Mrs. Adeline Margaret Mitchell Allan, wife of the above, by descent, 1945.
West Dunbartonshire Council, Scotland, gift from the above, 1948.
Sotheby's, New York, 30 November 2005, lot 178, sold by the above (as Sir Donald Peak and Selkirk Glacier, Canada).
Acquired by the late owner from the above.
Literature
(Probably) "Art and Society," San Francisco Call, vol. 69, no. 159, May 8, 1891 (as A View in the Selkirks).
(Probably) M.D. Arkelian, Thomas Hill: The Grand View, exhibition catalogue, Oakland, California, 1980, p. 34.
(Probably) J.T. Driesbach, Direct from Nature: The Oil Sketches of Thomas Hill, Sacramento, California, 1997, p. 120.
Exhibited
(Probably) San Francisco, California, San Francisco Art Assocation, May 1891, n.p., no. 75 (as Sir Donald Peak in the Silkirk [sic] Mountains, Canadian Pacific).

Brought to you by

Tylee Abbott
Tylee Abbott

Lot Essay

The present work depicts a sweeping vista of Sir Donald Peak, located in the Selkirk Mountain Range in Glacier National Park, British Columbia, Canada. Monumental in scale, the canvas employs Thomas Hill’s attention to detail to immerse the viewer within the breathtaking beauty of the natural scenery. With the rushing stream descending from the lofty peaks jetting up into the sky, Hill captures a sweeping, dynamic vista of this untouched, rugged mountainscape.

Hill likely exhibited the present work at the San Francisco Art Association’s annual exhibition in 1891. In a review for the show, a reporter for the San Francisco Call describes Hill’s preparation for the awe-inspiring canvas: “For his next picture he went north, and shows ‘A View in the Selkirks,’ along the line of the Canadian Pacific Railroad. In this piece Mr. Hill was fortunate…in catching the striking features of mountain, glacier and eternal snow that mark that lonely region.” ("Art and Society," San Francisco Call, vol. 69, no. 159, May 8, 1891)

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