A collection of views including: Portland Island from the Chissel Bank (illustrated); Redcliffe Church from the back, Bristol; Penhow, Wales (recto); and studies of seated figures (verso); Morpeth, Northumberland; A bridge by a church; A pass in the Barmouth Road, Cadew Javis in the distance; Clifton (recto); and Shipping off the coast (verso); Woodland views (2) (one illustrated); View from the Devil's Bridge, Cardiganshire; and other unidentified landscapes

Details

Thomas Tudor (1785-1855 Wyesham)
A collection of views including: Portland Island from the Chissel Bank (illustrated); Redcliffe Church from the back, Bristol; Penhow, Wales (recto); and studies of seated figures (verso); Morpeth, Northumberland; A bridge by a church; A pass in the Barmouth Road, Cadew Javis in the distance; Clifton (recto); and Shipping off the coast (verso); Woodland views (2) (one illustrated); View from the Devil's Bridge, Cardiganshire; and other unidentified landscapes
the first inscribed and dated 'Portland Island from the Chissel Bank/24' (lower right); the second inscribed 'Redcliffe Church from the Back Bristol' (lower right); the third inscribed and dated 'Penhow July 3. 1860' (lower left); the sixth inscribed 'Pass in the Barmouth road/Cadew Javis in the distance' (lower left); the seventh inscribed 'Clifton' (lower left)
pencil, black and white chalk, some with pen and black ink and grey wash, on paper, unframed
12 x 12¼ in. (30.5 x 31 cm.); and smaller (11)

Provenance

with Walker's Gallery, London.

Special notice

VAT rate of 5% is payable on hammer price and at 17.5% on the buyer's premium.

Lot Essay

Thomas Tudor was predominantly a landscape and portrait painter. A gifted sketcher, as displayed in the works seen in this small collection and that in lot 124, he exhibited at the Royal Academy from 1809 to 1819.

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