TWO MINIATURE BRONZE VESSELS
TWO MINIATURE BRONZE VESSELS
TWO MINIATURE BRONZE VESSELS
TWO MINIATURE BRONZE VESSELS
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Lots made of or including (regardless of the perc… Read more THE PROPERTY OF A GENTLEMAN
TWO MINIATURE BRONZE VESSELS

SONG-QING DYNASTY (AD 960-1911)

Details
TWO MINIATURE BRONZE VESSELS
SONG-QING DYNASTY (AD 960-1911)
The group comprises a compressed bronze tripod ding and an archaistic bronze jue. Together with a Japanese gilt-bronze archaistic tripod ding decorated on the body with a zoomorphic band and inscribed on the base with the two-character mark of Hata Zoroku (Edo period, 19th century).
The largest, 1 ¾ in. (4.4 cm.) high, three hongmu stands and fitted cloth boxes
Provenance
Yamanaka & Co., Osaka, 1945.
Lionel Rosenberg, Cape Town, South Africa, circa 1967-68.
Exhibited
Second and third: New York, Christie’s, Small Pleasures: Chinese Works of Art from an Important Private American Collection, 15-20 March 2013.
Special notice
Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone certain species of coral, and Brazilian rosewood. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to import the lot into another country. Several countries refuse to allow you to import property containing these materials, and some other countries require a licence from the relevant regulatory agencies in the countries of exportation as well as importation. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age, and you will need to obtain these at your own cost.

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Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

Lot Essay


Hata Zoroku was a master in the lost-wax technique and focused on the replication of Chinese antiquities. He studied metalwork in the studio of Ryubundo in Kyoto, and was renowned for his expertise in Chinese bronzes, and often authenticated archaic Chinese bronzes in Japanese collections. His offspring continued as metal artists and continued to use his name well into the 20th century.

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