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Abstract in White, Black and Maroon
Details
Victor Pasmore, R.A. (1908-1998)
Abstract in White, Black and Maroon
signed with initials 'VP' (on the reverse)
oil on panel and perspex, projective relief
27 x 32¼ x 4 in. (68.5 x 82 x 10.2 cm.)
Constructed in 1956.
Abstract in White, Black and Maroon
signed with initials 'VP' (on the reverse)
oil on panel and perspex, projective relief
27 x 32¼ x 4 in. (68.5 x 82 x 10.2 cm.)
Constructed in 1956.
Provenance
with Marlborough New London Gallery, London, where acquired by the present owner.
Literature
J. Reichardt, Victor Pasmore, London, 1962, no page numbers, illustrated.
A. Bowness and L. Lambertini (intro.), Victor Pasmore with a Catalogue Raisonné of the paintings, constructions and graphics 1926-1979, London, 1980, no. 192, illustrated.
A. Bowness and L. Lambertini (intro.), Victor Pasmore with a Catalogue Raisonné of the paintings, constructions and graphics 1926-1979, London, 1980, no. 192, illustrated.
Exhibited
Venice, Biennale: Pasmore V, 1960, no. 21: this exhibition travelled to Europe, 1960-1961.
Zurich, Galerie Charles Lienhard, Victor Pasmore, February 1963, no. 1292, as 'Projective Painting (Black & White) Transparent Relief'. Bern, Kunsthalle, Victor Pasmore - William Scott, July - August 1963, no. 13.
London, Arts Council of Great Britain, Tate Gallery, Victor Pasmore Retrospective Exhibition 1925-65, May - June 1965, no. 122, as 'Transparent Relief Construction in Black, White and Maroon': this exhibition travelled to Edinburgh, Scottish National Gallery of Modern Art, July 1965, no. 37; and Liverpool, Walker Art Gallery, August 1965, no. 37.
Zurich, Galerie Charles Lienhard, Victor Pasmore, February 1963, no. 1292, as 'Projective Painting (Black & White) Transparent Relief'. Bern, Kunsthalle, Victor Pasmore - William Scott, July - August 1963, no. 13.
London, Arts Council of Great Britain, Tate Gallery, Victor Pasmore Retrospective Exhibition 1925-65, May - June 1965, no. 122, as 'Transparent Relief Construction in Black, White and Maroon': this exhibition travelled to Edinburgh, Scottish National Gallery of Modern Art, July 1965, no. 37; and Liverpool, Walker Art Gallery, August 1965, no. 37.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.
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