Willem van Mieris (Leiden 1662-1747)
Property from a Mid-Atlantic Private Collection
Willem van Mieris (Leiden 1662-1747)

Portrait of a young lady with a spaniel, possibly Dina Margareta de Bye (1680-1740), a landscape beyond

Details
Willem van Mieris (Leiden 1662-1747)
Portrait of a young lady with a spaniel, possibly Dina Margareta de Bye (1680-1740), a landscape beyond
oil on panel
11 x 9 1/8 in. (27.9 x 23 cm.)
Provenance
(Possibly) Willem Six (1662-1733), burgomaster of Amsterdam; (†) his sale, Schoemaker and ten Brink, Amsterdam, 12 May 1734, lot 55 (f 182).
Johan Adriaen Versijden van Varick (1713-1791), Lord of Zyll; (†) his sale, Leiden, 29 October 1791, lot 44 (f 155 to Schalje?).
Abraham Dijkman, Amsterdam; (†) his sale, de Bosch and Yver, Amsterdam, 17 July 1794, lot 24.
Anonymous sale; van der Schley, Roos a.o., Amsterdam, 21 June 1797, lot 133 (f 120 to Stevens).
A.P. Vischer-Boelger, Basel, by 1928.
Anonymous sale; Pierre Bergé & Associates, Paris, 13 December 2002, lot 62.
Private collection, France; Prunier, Louviers, 20 May 2018, lot 57, where acquired by the present owner.
Literature
(Possibly) G. Hoet, Catalogus of naamlyst van schilderyen met derzelver pryzen, I, The Hague, 1752, p. 413, no. 55.
C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Holländischen Maler des XVII. Jahrhunderts, X, Stuttgart and Paris, 1928, pp. 186-187, nos. 308, 312.

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François de Poortere
François de Poortere

Lot Essay

Willem van Mieris, son of the Leiden fijnschilder (fine painter) Frans van Mieris, probably executed this engaging portrait of a well-dressed woman standing behind a balustrade around the turn of the eighteenth century. The sitter may well be Dina Margareta de Bye, the second daughter of the Leiden lawyer Johan Paeuw de Bye and his wife Anna van Oorthoorn, based on similarities in her facial features with those found in a securely identified portrait of her dated 1705 and today in The Leiden Collection, New York. Indeed, an estate inventory drawn up following de Bye's death lists three portraits by van Mieris – one of her deceased husband, Peter van der Dussen, and two of de Bye herself – decorating a large room in her fashionable house on the Rapenburg in Leiden. The relief at lower center depicting Diana and Callisto is based on a work by Francis van Bossuit known today through a drawn copy by van Mieris (sold Hôtel Drouot, Paris, 24 April 1997, lot 109).

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