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Panem et Circenses I
Details
Wim Delvoye (b. 1965)
Panem et Circenses I
stained glass, steel, lead and enamel paint
81½ x 124 x 43in. (207 x 314.9 x 109.2cm.)
Executed in 1989
Panem et Circenses I
stained glass, steel, lead and enamel paint
81½ x 124 x 43in. (207 x 314.9 x 109.2cm.)
Executed in 1989
Literature
'Aperto' in BT/Bijutsu Techo, August 1990, Vol. 42, No. 627, Tokyo (illustrated in colour, p. 68).
W. Faust, 'Aufstand gegen den guten Geschmack' in Art, September 1990 (illustrated in colour, p. 37).
G. Verzotti, 'And our Carnival Bones' in Artforum, September 1990, New York (illustrated in colour, p. 133).
Zoersel 90, Kasteel van Halle, Zoersel 1990 (illustrated, p. 81).
Drei Künstler aus Belgian, Salzburger Kunstverein, Salzburg 1992 (illustrated, p. 12).
I. Kuijken, 'Belgien' in Kunstforum International, Bd. 119, Summer 1992 (illustrated in colour, p. 183).
Wim Delvoye: Fünf Arbeiten, Verlag fur Moderne Kunst, Nürnberg 1992 (illustrated, p. 19).
Fresh Cream, Contemporary Art in Culture, London 2000, (illustrated in colour, p. 223)
'König Füssball' in Frame, No. 12, 2002 (illustrated in colour, p. 133).
Shortcuts, Nicosia Municipal Arts Centre associated with the Pierides Museum of Contemporary Art, the Deste Foundation and the Laiki Group Cultural Centre, Nicosia 2001 (illustrated, p. 34).
W. Delvoye, Gothic Works, Ghent 2002 (illustrated in colour, p. 96).
F. Stech, 'Der Ikonenmacher Wim Delvoye' in Kunstforum International, January 2003 (illustrated in colour, p. 198).
W. Faust, 'Aufstand gegen den guten Geschmack' in Art, September 1990 (illustrated in colour, p. 37).
G. Verzotti, 'And our Carnival Bones' in Artforum, September 1990, New York (illustrated in colour, p. 133).
Zoersel 90, Kasteel van Halle, Zoersel 1990 (illustrated, p. 81).
Drei Künstler aus Belgian, Salzburger Kunstverein, Salzburg 1992 (illustrated, p. 12).
I. Kuijken, 'Belgien' in Kunstforum International, Bd. 119, Summer 1992 (illustrated in colour, p. 183).
Wim Delvoye: Fünf Arbeiten, Verlag fur Moderne Kunst, Nürnberg 1992 (illustrated, p. 19).
Fresh Cream, Contemporary Art in Culture, London 2000, (illustrated in colour, p. 223)
'König Füssball' in Frame, No. 12, 2002 (illustrated in colour, p. 133).
Shortcuts, Nicosia Municipal Arts Centre associated with the Pierides Museum of Contemporary Art, the Deste Foundation and the Laiki Group Cultural Centre, Nicosia 2001 (illustrated, p. 34).
W. Delvoye, Gothic Works, Ghent 2002 (illustrated in colour, p. 96).
F. Stech, 'Der Ikonenmacher Wim Delvoye' in Kunstforum International, January 2003 (illustrated in colour, p. 198).
Exhibited
Venice, XLIV Biennale Internazionale dell'Arte di Venezia, Aperto, June-September 1990.
Athens, The House of Cyprus, Post Human, December 1992-February 1993.
Athens, Athens School of Fine Arts "the factory", EVERYTHING THAT'S INTERESTING IS NEW: The Dakis Joannou Collection, January-April 1996 (illustrated in colour, pp. 84-85). This exhibition later travelled to Copenhagen, Museum of Modern Art and New York, Guggenheim Museum Soho. Piraeus, Sarantopoulos Mills Exhibition Space, Thrillos 2001, October - November 2000 (pp. 36-37).
Athens, The DESTE Foundation for Contemporary Art, Monument to Now: The Dakis Joannou Collection, June-December 2004 (illustrated in colour, pp. 78-79).
Athens, The House of Cyprus, Post Human, December 1992-February 1993.
Athens, Athens School of Fine Arts "the factory", EVERYTHING THAT'S INTERESTING IS NEW: The Dakis Joannou Collection, January-April 1996 (illustrated in colour, pp. 84-85). This exhibition later travelled to Copenhagen, Museum of Modern Art and New York, Guggenheim Museum Soho. Piraeus, Sarantopoulos Mills Exhibition Space, Thrillos 2001, October - November 2000 (pp. 36-37).
Athens, The DESTE Foundation for Contemporary Art, Monument to Now: The Dakis Joannou Collection, June-December 2004 (illustrated in colour, pp. 78-79).
Special notice
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.