A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA
3 更多
THE JAMES AND MARILYNN ALSDORF COLLECTION
A VERY RARE SILVER-INLAID BRONZE FIGURE OF GANESHA

PROBABLY SWAT VALLEY, 7TH-8TH CENTURY

细节
6 in. (15.2 cm.) high
来源
The collection of Julian Sherrier (1929-2012), London, by 1983.
Spink and Son, Ltd., London, 1983.
The James and Marilynn Alsdorf Collection, Chicago.
出版
P. Pal, A Collecting Odyssey, New York, 1997, pp. 50 and 284, no. 56.
Himalayan Art Resources, item no. 24653.
展览
The Art Institute of Chicago, “A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the James and Marilynn Alsdorf Collection,” 2 August-26 October 1997, no. 56.
拍场告示
Please note early versions of the e-catalogue omitted that this Lot was exhibited and published in Himalayas: An Asthetic's Adventure in 2003 and The Arts of Kashimir in 2007.

拍品专文

The present work belongs to a small corpus of bronzes which are believed to have been cast in the Swat Valley or the surrounding areas of the Hindu Kush in the centuries after the desolation of the Buddhist institutions of Gandhara by the Hephthalites in the fifth and sixth centuries. Such bronzes are distinguished by the dark, almost blackish color of the bronze alloy, and by the languid and curvaceous proportions of the figures, a direct influence of the burgeoning Gupta style that originated in central India. Compare, for example, with a bronze figure of Padmapani originally in the collection of Richard Ravenal, illustrated by U. von Schroeder in Indo-Tibetan Bronzes, Hong Kong, 1981, p. 83, no. 5A. See, also, two additional bronze figures of Padmapani, one originally in the Pan Asian Collection, illustrated by U. von Schroeder in ibid., p. 83 and 91, nos. 5C and 9D. The presence of Buddhist bronzes alongside images of Hindu deities, such as the present bronze or the famous Vaikuntha Vishnu in the collection of the Museum für Indische Kunst illustrated by U. von Schroeder in ibid., p. 83, no. 5E, demonstrates that the practice of both religions was firmly established in the region despite the political and cultural strife of the Hunnic invasions.

更多来自 印度、喜马拉雅及东南亚工艺精品

查看全部
查看全部