A LARGE BLUE AND WHITE ‘BAJIXIANG’ MOONFLASK
A LARGE BLUE AND WHITE ‘BAJIXIANG’ MOONFLASK
A LARGE BLUE AND WHITE ‘BAJIXIANG’ MOONFLASK
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PROPERTY FROM A HONG KONG FAMILY COLLECTION
A LARGE BLUE AND WHITE ‘BAJIXIANG’ MOONFLASK

QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

Details
A LARGE BLUE AND WHITE ‘BAJIXIANG’ MOONFLASK
QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
The moonflask is finely painted on the front and back in underglaze blue with eight lotus petal-shaped panels, each enclosing one of the bajixiang, Eight Buddhist Emblems, radiating from a central raised boss decorated with a stylised flower-head and divided by key-fret and lappet bands. The narrow sides are decorated with a band of stylised lotus scroll. The neck, flanked by a pair of scroll handles, is painted with lingzhi scroll and with a key-fret band at the rim, which is similarly repeated on the slightly spreading foot.
19 1/2 in. (49.8 cm.) high
Provenance
F. Baron van Heeckeren van Waliën, Netherlands, by repute
Vanderven & Vanderven, acquired 16 June 1980
Literature
The International Herald Tribune, 20-21 October 1979
Antique Maaestrict, 1980, p. 132 and 133
2nd Asian Antique Fair, Hong Kong, 1980, p. 67

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Lot Essay

The form of these large Qianlong flasks is based on Ming-dynasty fifteenth-century prototypes, which had a convex side that was decorated and a flat unglazed back with a countersunk medallion in the centre. For a Yongle (1403-24) example see the flask in the Freer Gallery of Art, illustrated in Oriental Ceramics, The World’s Great Collections, Tokyo, vol. 9, 1981, no. 94. These fifteenth century blue and white porcelain flasks were themselves based on silver-inlaid brass prototypes.

For other similar Qianlong blue and white moonflasks, see an example in the National Palace Museum, Taipei, illustrated in Good Fortune, Long Life, Health and Peace: A Special Exhibition of Porcelain with Auspicious Designs, Taipei, 1995, no. 11; one in the Nanjing Museum illustrated in Qing Imperial Porcelain of the Kangxi, Yongzheng and Qianlong Reigns, Hong Kong, 1995, p. 295; one illustrated in Sekai Toji Zenshu, vol. 15, Tokyo, 1983, no. 151; two included in Chinese Ceramics in The Idemitsu Collection, Japan, 1987, figs. 949 and 950; a pair sold at Bonham’s Hong Kong, 30 May 2017, lot 120; one from the Baofang Pavilion Collection, sold at Christie’s Hong Kong, 29 May 2019, lot 2810; and one sold at Christie’s Hong Kong, 27 November 2019, lot 3020.

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