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拍品專文
The small gem of Newar craftsmanship shows the bodhisattva of compassion. He stands graceful with his right hip gently thrust sideways on a lotus base. His right hand displays the varadamudra or the granting-wishes gesture that is common for this type created during the early Malla period. Later examples display more often the vitarkamudra. The left hand holds the lotus stem rising from the base to blossom along his upper arm. He wears a dhoti, which pleated folds fall elegantly between his legs and is incised with small flower heads. This design is again more encountered on bronzes cast during the early Malla phase. A sash is diagonally tied across his thighs. He is adorned with the sacred thread (upavita) falling down from his left shoulder to entwine elegantly around the sash before disappearing at the back to run up again. The simple ornaments are partly inlaid like his trefoil shaped crown.
This Padmapani form of Avalokiteshvara has remained extremely popular in Nepal. The earliest examples were made of stone and date back to the sixth century, although for sure earlier prototypes must have existed. Since then endless versions have been created for devotees until present day.
Aesthetically, examples made during the early Malla period belong to the most refined ones with elegant, graceful and well-proportioned bodies, delicate hands and fine facial features. See as an example a figure of Tara dating from 13th century sold at Sotheby's Paris, 16 December 2015, lot 73.
Ian Alsop discusses eloquently this Padmapani Avalokiteshvara iconographic type in ‘Cast for Eternity: Bronze Masterworks from India and the Himalayas in Belgian and Dutch Collections’, published by Jan van Alphen, Antwerp Ethnographic Museum, Antwerp 2005, with plates 32 and 36. Hugo Kreijger publishes another comparable example in ‘Godenbeelden uit Tibet’, SDU Uitgeverij, The Hague 1989, p. 57.
This Padmapani form of Avalokiteshvara has remained extremely popular in Nepal. The earliest examples were made of stone and date back to the sixth century, although for sure earlier prototypes must have existed. Since then endless versions have been created for devotees until present day.
Aesthetically, examples made during the early Malla period belong to the most refined ones with elegant, graceful and well-proportioned bodies, delicate hands and fine facial features. See as an example a figure of Tara dating from 13th century sold at Sotheby's Paris, 16 December 2015, lot 73.
Ian Alsop discusses eloquently this Padmapani Avalokiteshvara iconographic type in ‘Cast for Eternity: Bronze Masterworks from India and the Himalayas in Belgian and Dutch Collections’, published by Jan van Alphen, Antwerp Ethnographic Museum, Antwerp 2005, with plates 32 and 36. Hugo Kreijger publishes another comparable example in ‘Godenbeelden uit Tibet’, SDU Uitgeverij, The Hague 1989, p. 57.