The Magdalen

细节

The Master of the Female Half-Lengths (active Antwerp 1520-40)
The Magdalen
oil on panel
157/8 x 10½ in. (40.3 x 26.7 cm.)

来源

Baron Alphonse de Rothschild (1827-1905), Paris.
Baron Edouard de Rothschild (1868-1949), Paris.
Baroness Batsheva de Rothschild (1914-99), Tel Aviv.
Rothschild inventory no. ER 48 (the inventory no. R96 on the reverse relates to the Nazi requisitions of 1940-1).

注意事项

VAT rate of 5% is payable on hammer price plus buyer's premium.

拍品专文

This anonymous master is named after a series of half-length depictions of the Magdalen; to the same artist have been atttributed other depictions of elegantly dressed women variously engaged in reading, writing or playing music, often against dark backgrounds. His oeuvre reveals a style typical of the Antwerp studios of the first half of the sixteenth century. Friedländer pronounced him as one of the most successful and popular artists working in this milieu (M.J. Friedländer, Early Netherlandish Painting, XII, 1975, p. 18).

This composition is comparable with two other works by the Master in which the Magdalen is shown holding her vase of ointment against a dark background: the picture last recorded in the Schevitch collection, sale, Paris, 1906, no. 7, and the Magdalen in the collection of Prince Salm-Salm at Schloss Anholt (see ibid., p. 98, nos. 82-3, pl. 41).