A sword signed by the same maker, spelled Acemoglu in Turkish, is in the Furusiyya Art Foundation Collection (Bashir Mohammed, The Arts of the Muslim Knight, Milan, 2007, no.39, p.75). Each blade has a slightly different curvature. Here the curve starts earlier and is more continuous along the length, amounting to a greater change of angle by the time the tip is reached. Each blade is noticeably thinner and more elegant in proportion than those of most Ottoman swords. The decoration of each is also very different. In the Furusiyya blade the main decoration is a nasta'liq quatrain inlaid into the blade. Here there is a great variety of scripts and tehcniques, with both inlay and overlay being used. Typical of this period however is the arabesque panels set against a ring-pounced gilded ground, a feature that is found on both blades. The maze kufic with wavy skyline is a feature that was first used in the 16th century on sword blades (for example one in the Askeri Museum in Istanbul, inv.no.1852). The decoration on the present blade is therefore considerably more archaic in inspiration than that of the Furusiyya example. In the note on the Furusiyya example Bashir Mohamed notes its similarity to a blade in the Metropolitan Museum of Art signed by Isma'il al-Farghani and dated 1217 (1802-3 AD).
This lot is accompanied by a letter from Animal Health and Veterinary Laboratories Agency (AHVLA) agreeing that Christie's may sell it without further CITES certification and confirming that they would be likely to grant an export permit for it to leave the EU post-sale.