17 June 2008
[HALIFAX, George Savile, Marquis of (1635-1695)]. The Character of a Trimmer. London: N.p., 1688.
4o (195 x 155). (Some minor worming along lower margin of the first few gatherings.) 19th-century vellum, spine lettered in black (some minor staining, front cover slightly bowed); modern slipcase. Provenance: "JB" (early initial signature on title-page).
Later edition of Halifax's defense of "trimming" between political parties, or in other words, supporting party sides as interest dictates. He advocated the center in politics, as well as compromise, and felt that the role of the "trimmer" was to keep things steady while others attempted to influence a situation one way or the other. "Halifax's policy has come to be the essence of constitutional democracy. Though his firm grasp of high moral generalizations is evident, often anticipating the broad concepts of Burke, he based himself on the Aristotelian precept that politics is the art of the possible: 'men should live in some competent state of freedom,' he wrote. His actions had a lasting effect on the politics of the time, and more lastingly on the government of the country: his writings provide a classic exposition of the empirical character of the British Constitution" (PMM). PMM 162; Wing H-296.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
The Plantin Polyglot bible — offered in London on 11 July — makes an emotional homecoming to the Antwerp printing press where it was produced some 450 years ago
As Christie’s offers 178 works from his personal collection, the illustrator of Charlie and the Chocolate Factory offers us a glimpse of his creative process
Mark Wiltshire, Associate Specialist in Science & Books, walks us through the history of Christianity’s most influential printed text
The Impressionist and Modern Art Evening Sale totals £128,081,750, with works by Picasso and a record-breaking Franz Marc painting also achieving top prices
Alastair Smart profiles the life and work of the Pre-Raphaelite artist described by Burne-Jones as ‘the best of us all’ — illustrated with works offered in July