London, South Kensington
19 May 2009
PETER HENRY EMERSON
Marsh Leaves. London: David Nutt, 1895.
Quarto (288 x 185mm). 16 photogravures with original printed guards. (Text leaves with light spotting.) Publisher's white pictorial cloth, and sheep-leather spine, front cover blocked in black, spine in gilt (covers stained, spine and one corner rubbed and scuffed, endpapers browned).
FIRST EDITION. PRESENTATION COPY, WITH A COMPLIMENTS SLIP TIPPED-IN, in a contemporary, probably secretarial hand: 'With Mr. P.H. Emerson's compliments'. These studies of softly rendered details from nature are 'THE CULMINATION OF EMERSON'S ARTISTIC DEVELOPMENT' (Grolier). 'Certainly, the 16 photo-etchings take his art to where it could probably go no further, and as a fusion of text and imagery the book is entirely successful... It is one of the most beautiful books about isolation and solitude, perhaps death, ever made, and Emerson's spare, evocative pictures were seldom equalled by the later Pictorialists' (The Photobook). Grolier, The Truthful Lens 54; The Photobook, vol. I, p.72.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
No VAT on hammer price or buyer's premium.
The Plantin Polyglot bible — offered on 11 July — makes an emotional homecoming to the Antwerp printing press where it was produced some 450 years ago
Marianne Ihlen inspired some of the Canadian poet and musician’s greatest work. A selection of his gifts to her are offered in Valuable Books & Manuscripts on 11 July
What leading art, technology and finance specialists said at the inaugural Art +Tech Summit at Christie’s in London
From Connecticut to Kent in southeast England, homes with links to such classic works as Desire under the Elms, Lord of the Flies and The Deep Blue Sea