28 January 2015
A GERMAN GILT-BRASS, SILVERED AND EBONISED BOXWOOD STRIKING AND AUTOMATON CRUCIFIX CLOCK
JACOB MAYR, AUGSBURG, CIRCA 1670
The engraved crucifix with orb finial showing the hours, flanked to the base by figures of St. John the Evangelist and the Virgin Mary, the latter raising a chalice when the clock strikes; the movement with pierced and engraved frame and vase-shaped pillars, with fixed barrels for strike and time and steel three-arm balance with hogs bristle regulation, signed to the bottom plate 'Jacobus Mayr Augustanus', with goose head hammer to bell mounted to hinged baseplate
12 in. (30.5 cm.) high, 6 ½ in. (16 cm.) wide, 4 in. (10 cm.) deep
Christie's, London, 5 April 1966, lot 37.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
K. Maurice, Die deutsche Räderuhr, Band II, Munich, 1976 p. 58-59, fig. 413.
A virtually identical clock, unsigned, from the Schloss Collection is illustrated in F. J. Britten, Old Clocks and Watches & Their Makers, London 1932 (6th Ed.) p. 127, fig. 129.
Jacob Mayr (b. circa 1648 - d. 1714), master in 1672, (see lot 17).
The date should read ‘Circa 1670 and later’.
A 360-view of Dalva Brothers: Parisian Taste in New York, showcasing the finest examples of 18th century French furniture, porcelain and sculpture
Nine points for lovers of timeworn statuary to consider — from Venetian vs Florentine foundries to patina and whether or not to polish
How the British Museum, the Louvre, the Uffizi and more are bringing their treasures into your home
The watch of former Patek Philippe owner Charles Stern has already sold for a record price. Now the dial has resurfaced
Two monumental equestrian statues by the Russian master of detail are coming to auction for the first time