21 May 2009
Gwen John (1876-1939)
Study of a Cat
with stamped signature 'Gwen John' (lower left) and numbered '44' (on the reverse)
pencil and pen with black ink on brown paper
5 x 6 3/8 in. (12.7 x 16 cm.)
This work is recorded with the estate number E.J. 363.
Miss Eliza Lloyd.
with Matthiesen Gallery, London, where purchased by the present owner.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
Tel: +44 (0)20 7389 2681
London, Matthiesen Gallery, Gwen John Exhibition, June 1961, no. 79.
New York, Davis Galleries, Gwen John, November 1965, number untraced.
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium
Artists, patrons and critics have argued for centuries over the right way to frame a painting. Ultimately, it’s a matter of personal taste, says Andrew Graham-Dixon
Alastair Smart profiles the life and work of the Pre-Raphaelite artist described by Burne-Jones as ‘the best of us all’ — illustrated with works offered in July
Christie’s specialists, a gallerist, a conservator and an expert consultant share their inside knowledge with Holly Black
Pop art was not an all-American phenomenon — the UK, in fact, was where it started. Illustrated with works from our Modern British Art sales in June
What leading art, technology and finance specialists said at the inaugural Art +Tech Summit at Christie’s in London
From Connecticut to Kent in southeast England, homes with links to such classic works as Desire under the Elms, Lord of the Flies and The Deep Blue Sea