4 November 2010
Paul Signac (1863-1935)
signed, titled and dated 'P. Signac La Rochelle 1911' (lower right)
watercolor and black Conté crayon on paper
11 1/8 x 16¾ in. (28.3 x 42.5 cm.)
Executed in 1911
Hirschl & Adler Galleries, New York.
M. Knoedler & Co., Inc., New York (acquired from the above, 1954).
Eleanor S. and John M. Shoenberg, St. Louis (acquired from the above, 1961); Estate sale, Christie's, New York, 15 May 1997, lot 352.
Galerie Hopkins-Thomas, Paris.
Private collection, Switzerland (acquired from the above); sale, Christie's, New York, 7 November 2007, lot 178.
Acquired at the above sale by the present owner.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
David Kleiweg de Zwaan
Tel: + 1 212 636 2093
Stefany Sekara Morris
Tel: + 1 212 636 2094
Artists, patrons and critics have argued for centuries over the right way to frame a painting. Ultimately, it’s a matter of personal taste, says Andrew Graham-Dixon
From Klimt and Schiele in New York to the Pre-Raphaelites in San Francisco — here’s our roundup of these and other major exhibitions from Chicago to São Paulo
Works by Miró, Klee, Degas, Cézanne and more, offered in the Impressionist & Modern Works on Paper sale on 21 June at Christie’s in London
Our specialists’ tips, from what to look for in a glaze to how to read hidden stamps. Illustrated with works offered in Picasso Ceramics — Online, 15-22 June 2018
From Connecticut to Kent in southeast England, homes with links to such classic works as Desire under the Elms, Lord of the Flies and The Deep Blue Sea
The Belgian collector, antiques dealer and designer outlines what the art and objects in his library mean to him