A LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED TULIPWOOD, AMARANTH AND MARQUETRY BUREAU-PLAT
PROPERTY FROM AN AMERICAN PRIVATE COLLECTION (LOTS 408-409) The following two lots were part of the landmark 1994 house sale of the contents of Stokesay Court, Shropshire. Built by the millionaire glove manufacturer J.D. Allcroft (1822-1896), Stokesay was designed by the architect Thomas Harris, the first person to use the term "Victorian architecture" to define his work. Stokesay was inspired by early seventeenth century houses like Charlecote and Bramshill and though its exterior is an example of 'Jacobethan' architecture, its interior employed all of the most modern conveniences, including electricity. The initial interior decoration for Stokesay Court incorporated the contents of J.D. Allcroft's Lancaster Gate residence along with a large commission from the London merchant Hampton and Sons.
A LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED TULIPWOOD, AMARANTH AND MARQUETRY BUREAU-PLAT

CIRCA 1775, THE PORCELAIN ENGLISH, FIRST HALF 19TH CENTURY AND ADDED IN THE 19TH CENTURY

細節
A LOUIS XVI ORMOLU AND PORCELAIN-MOUNTED TULIPWOOD, AMARANTH AND MARQUETRY BUREAU-PLAT
CIRCA 1775, THE PORCELAIN ENGLISH, FIRST HALF 19TH CENTURY AND ADDED IN THE 19TH CENTURY
With gilt-tooled green-leather inset top and three-quarter gallery, two drawers and a slide to other end, on casters, with paper label to inside of one drawer printed STOKESAY 6361, a pencil inscription to underside of one drawer WJ, three paper labels to underside inscribed The Property of Mrs. La...lins ne Kilpeck, ...1915 and B2 1 175, the gallery later
30 1/8 in. (76.5 cm.) high, 49¼ in. (125 cm.) wide, 24 in. (61 cm.) deep
來源
Mrs. Guadeta de Kilpeck
Hugh Pigot, 10 Chesterfield Street
Bequeathed to Jewell Allcroft, later Lady Magnus Allcroft, Stokesay Court, Shropshire, sold Sotheby's House Sale, 28 September 1994, lot 155.

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拍品專文

The fashion for displaying Sèvres porcelain plaques around the frieze of a bureau plat likely originated with the marchand-mercier Simon-Philippe Poirier, who commissioned plaques directly from the Sèvres manufactory. This style was revived in the 1830s and 40s, largely promoted by Edward Holmes Baldock (1777-1845), the celebrated London dealer and retailer who traded in "Foreign China [&] Furniture". Baldock supplemented his business with two workshops that restored, embellished and fabricated furniture and objects to the taste and specifications of his clients. In 1837, Baldock charged Lord Lowther "£'8 16 s. 0d. for Mountng. 3 pieces porcelain in New inlaid Satin wood table" and in 1841 sold the Duke of Buccluech a satinwood secretaire mounted with porcelain plaques (G. de Bellaigue, 'Edward Holmes Baldock, Part II,' The Connoisseur, September 1975). In the sale of Baldock's stock and inventory held at his retirement, there were over one hundred lots of French porcelain, principally Sèvres (ibid).

A related bureau plat, also with later added green ground Sèvres plaques, was sold anonymously; Christie's, London, 13 June 2002, lot 394. Another example, now thought to be a 19th century copy, is in the Calouste Gulbenkian Foundation, Lisbon. It is particularly interesting to note that the Gulbenkian bureau is stamped E.H.B. Though no definitive proof currently exists, this stamp corresponds to Baldock's initials and appears principally on French furniture either found in England or with a provenance traced to an English collection.