Lot Essay
As Friedländer noted, the composition connects with the Virgin and Child by Dieric Bouts in the National Gallery, London. There the Child's hands are differently placed, and He is seated at a casement against a red velvet cloth of gold beside a window with a view of a town beyond. The composition recurs in the ex-Sigmaringen picture in the Metropolitan Museum of Art, New York; Friedländer's revised view concerning the status of this was not adopted by Nicole Veronée-Verhaegen in her 1968 edition of Friedländer, where it is described as a 'close replica'. Noting that Winkler's 1923 attribution to Simon Marmion had not won support, Dirk de Vos, in a report dated 29 July 1986 (available to the purchaser), describes the present picture as a work by a Flemish follower of Dieric Bouts working circa 1475-1480. It would appear to be at least on a par with the Metropolitan picture - and Sprinson de Jesus (loc. cit.) refers to the present work as a 'second replica' - which has recently been regarded as 'Probably made in Bouts's workshop after his death' (which took place in 1475) (idem.).