Archives of American Art, George Ault Papers, reel 1927, frames 297, 773; reel D247, frame 613.
“In the Galleries,” Arts Magazine, vol. 32, November 1957, p. 52.
Artnews, vol. 76, Summer 1977, p. 26, illustrated.
R. Stewart, “Charles Sheeler, William Carlos Williams, and Precisionism: A Redefinition,” Arts Magazine, vol. 58, no. 3, November 1983, pp. 108, 112, illustrated.
Montclair, New Jersey, Montclair Art Museum, Artists of New Jersey, 1931, no. 14 (as Fruit Bowl on Red Oil Cloth).
Albany, New York, Albany Institute of History and Art, Seventh Annual Exhibit: Artists of the Upper Hudson, 1942, no. 2 (as Fruit Bowl on Red Tablecloth).
Woodstock, New York, Woodstock Art Gallery, George Ault Memorial Exhibition, September 9-28, 1949, no. 17.
New York, Milch Galleries, George Ault: Memorial Exhibition, 1950.
New York, Zabriskie Gallery, George Ault 1891-1948, October 28-November 23, 1957, no. 4.
New York, Zabriskie Gallery, American Art: Fifty Years Ago, May 24-June 18, 1977.
St. Louis, Missouri, St. Louis Art Museum; Honolulu, Hawaii, Honolulu Academy of Arts; Boston, Massachusetts, Museum of Fine Arts, The Ebsworth Collection: American Modernism 1911-1947, November 20, 1987-June 5, 1988, pp. 12, 46-47, 197, no. 1, illustrated.
Memphis, Tennessee, Memphis Brooks Museum of Art; Omaha, Nebraska, Joslyn Art Museum; Trenton, New Jersey, New Jersey State Museum, George Ault, November 13, 1988-June 11, 1989, p. 53.
Washington, D.C., National Gallery of Art; Seattle, Washington, Seattle Art Museum, Twentieth-Century American Art: The Ebsworth Collection, March 5-November 12, 2000, pp. 40-42, 278, no. 1, illustrated.