JOHN SMART (BRITISH, 1741-1811)
Prospective purchasers are advised that several co… Read more
JOHN SMART (BRITISH, 1741-1811)

Details
JOHN SMART (BRITISH, 1741-1811)
Richard Edgcumbe, 2nd Earl of Mount Edgcumbe (1764-1839), in blue coat with brass buttons, white cravat
Signed with initials and dated ‘J.S. / 1808.’ (lower left)
On ivory
Oval, 82 mm. high, gilt-metal frame, the reverse engraved ‘Earl / Mount Edgcumbe. / Painted / by John Smart. / June / 1808.’
Provenance
Thomas Hugh Cobb; (\+) Sotheby’s, London, 12 October 1944, lot 33 (£72 to Papier).
Mikel Papier (1889-1948) Collection, and by descent.
Literature
D. Foskett, John Smart. The Man and his Miniatures, London, 1964, p. 71.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Brought to you by

Matilda Burn
Matilda Burn

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The sitter was the son of George Edgcumbe, 1st Earl of Mount Edgcumbe and Emma, daughter of John Gilbert, Archbishop of York. He was a member of the Society of Antiquaries and a keen actor. By the time this miniature was painted Edgcumbe’s opera, Zenobia, had been produced at the King’s Theatre, London (1800). He was also author of the popular text Musical Reminiscences of an Old Amateur chiefly respecting Italian Opera in England 1773 to 1823 (1825). In the year the present portrait was painted he served as Captain of the Honourable Band of Gentlemen Pensioners, a position he held until 1812. Also in 1808 he became a member of the Privy Council and was elected a Fellow of the Royal Society. He is depicted in Zoffany’s 'Tribuna of the Uffizi'. Edgcumbe’s family seat was Cotehele in Cornwall, now a National Trust Property.

More from Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes

View All
View All