Eric Clapton
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Eric Clapton

Details
Eric Clapton
A 1996, Fender Stratocaster, 50th Anniversary Issue, Master Built Eric Clapton Signature Model guitar owned and played by Clapton 1997-2004; the headstock bearing the logo FENDER STRATOCASTER, neckplate engraved -EC1- FENDER 50TH ANNIVERSARY, dated under the pickguard 10-15-96, the body in 23 carat gold leaf with clear polyester finish, fitted with gold-plated hardware and three Lace Sensor pickups; and hardshell case with adhesive tape to one end inscribed by Lee Dickson gold leaf 50th Anniv/Fender-Strat #E.C.1

This guitar was used when Clapton joined B.B. King to play Rock Me Baby during the latter's recording session for the album Deuces Wild in 1997. It was the main stage instrument when Clapton joined a one-off fusion jazz super group, 'Legends', formed by Marcus Miller with Joe Sample, Steve Gadd and David Sanborn, to play a fortnight tour of European jazz festivals in July 1997. In addition the guitar made the front page of the world press when Clapton joined Paul McCartney, Elton John, Sting and Mark Knopfler for the Music For Montserrat concert at the Royal Albert Hall, organised by Sir George Martin, on 15th September 1997. On this occasion Clapton used it when playing The Same Old Blues, Layla and Hey Jude with the all-star cast. It went on to serve as the main guitar on the tour of Korea and Japan in October, 1997 and was used as a back-up guitar during Clapton's Pilgrim World Tour, 1997 (2)
Provenance
Ex-lot 79, Crossroads Guitar Auction Eric Clapton and Friends for the Crossroads Centre, Christie's New York, 24 June 2004
Literature
Claptones - The Tools of a Journeyman's Trade in Guitar World Magazine, May, 1998
Special notice
VAT rate of 5% is payable on hammer price and at 17.5% on the buyer's premium.

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Lot Essay

Mark Kendrick, Master Builder at Fender Custom Shop, confirmed that this gold leaf Strat. was built to commemorate the 50th Anniversary of Fender, 1946-1996. It was delivered to Eric Clapton at The Complex, Santa Monica, California in late May, 1996.
In a conversation with Christie's in 2004, Eric Clapton and Lee Dickson [Clapton's Guitar Technician] explained how, on their 50th Anniversary, Fender contacted [Dickson] to enquire whether Eric was interested in them making anything for him. Dickson recalled that Eric's response was "Yes a Gold Strat. would be good", to which Dickson response was "Cool - no problem", but when Eric elaborated "Yes - a gold leaf Strat.", Dickson thought "Ah, big problem". Dickson recalled when suggesting it to Fender that they like him thought, "No Problem", until they realised it was a gold leaf Strat.... Dickson further explained that Fender went to a lot of trouble to get it right and he recalled that when it came out, it was one of those things that people react to one of two ways - they either love it or are horrified by it. Dickson confirmed that he was of the first school of thought, thinking it was amazing, and cool looking.
In an interview with Guitar World Magazine in 1998, Lee Dickson spoke about Clapton's use of the gold leaf Strat. on the album Pilgrim, 1998 ...'for most of the album, his primary electric guitar was a Clapton Signature Model Stratocaster with a custom gold leaf finish and 23-carat gold-plated hardware'. In the same article Kendrick commented 'Eric was looking for something that had an old world look - something like it could hang in the Louvre'. It apparently took him and Custom Shop Artisan, George Amicay, three attempts before they found the right combination of finishes for the two-piece alder body, which had been contoured to feel like a mid-fifties Strat. 'The most difficult thing was trying to second guess what Eric would like...but it appears that he was very pleased.'

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