Attribuito a Sebastiano Conca (Gaeta 1676-1764 Napoli)

Recommended features

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  • Sir Joshua Reynolds’ portrait of his niece, Theophila Palmer

    Offered in our Old Masters sale on 30 October, this portrait is the legacy of the artist’s affection for the child he brought under his roof when she was just 13

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  • Giovanni del Campo’s Allegory of Virtuous Love

    This intimate masterpiece was for many years unattributed, until an art historian’s powers of recall solved its mystery in the late 1970s

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  • Strike a pose — The changing face of full-length portraits

    Andrew Graham-Dixon on how full-length portraits have been used in history to boost the status of nobles, kings and statesmen

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  • To gild or not to gild — that is the question

    Artists, patrons and critics have argued for centuries over the right way to frame a painting. Ultimately, it’s a matter of personal taste, says Andrew Graham-Dixon

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  • ‘Astonishing for its overarching quality’ — The Eric Albada Jelgersma Collection

    On 6 and 7 of December Christie’s will offer almost 400 lots from a collection that includes works by Hals, Van Dyck, Leyster, Snyders and Jan Brueghel the Elder

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  • ‘Truth comes when one is totally involved in the act of painting’ — Red Square (1959) by Helen Frankenthaler

    Offered to benefit a new scholarship initiative from Bennington College, this work distils the unique form of abstraction for which the artist would become famous