Isabel Codrington (1874-1943)
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Isabel Codrington (1874-1943)

The Lily Garden

细节
Isabel Codrington (1874-1943)
The Lily Garden
signed with monogram (lower right) and inscribed 'Miss Isabel Codrington/Wistler's Wood/Waldingham Surrey/£50:50:00' (on a label attached to the stretcher)
oil on canvas
48 x 30¾ in. (121.9 x 78.1 cm.)
出版
Anonymous, 'Miss Isabel Codrington', Times, 14 November 1935.
Anonymous, 'Flower Paintings', The Morning Post, 9 November 1935.
展览
Bradford, Corporation Art Gallery, Cartwright Memorial Hall, Spring Exhibition, no. 567.
London, Rembrandt Gallery (Robert Dunthorne and Son Ltd.), Flower Paintings by Isabel Codrington, 1935, no. 10.
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.

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Rosie Henniker-Major
Rosie Henniker-Major

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拍品专文

Critics who recalled Codrington's earlier successes as a figure painter regarded her exhibition of flower paintings in 1935 as a new departure. Despite her growing eyesight problems, she was regarded as 'a colourist' who employs a 'broad touch with excellent effect'. Priced at 55 gns in the exhibition, The Lily Garden is likely to have been its centre-piece, and the largest and most important of her flower paintings. Others in the series were simple still-lifes, while the present canvas with its statuary and swathe of flowering lilies depicts the focal point of a formal garden. Its centralized, layered composition and its motif, recall the late, decorative classical pergolas of artists such as Charles Sims, while the lilies, inevitably hark back to Wildean aestheticism. In its review, the Times commented favourably on the present work, while The Morning Post remarked upon its 'stately purity'.

K Mc