14 February 2013
Peter Halley (b. 1953)
signed and titled 'PETER HALLEY GLOWING CELL' (on the stretcher); signed twice, titled and dated 'GLOWING CELL PETER HALLEY 1985' (on the reverse)
Day-Glo acrylic, acrylic and Roll-A-Tex on canvas
47 7/8 x 64 1/8in. (121.7 x 162.8cm.)
Executed in 1985
Ruth Kaufmann Gallery, New York.
Acquired from the above by the late owner in the 1990s and thence by descent to the present owners.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
Tel: +44 (0)20 7389 2920
Tel: +44 (0)20 7389 2025
Tel: +44 (0)20 7389 2125
Tel: +44 (0)20 7389 2446
C. Reynolds (ed.), Peter Halley: Maintain Speed, New York 2000 (illustrated in colour, pp. 196, 198 and 200).
Como, Spazio Culturale Antonio Ratti, Contemporanea Como 2, 1996.
PROPERTY FROM AN EUROPEAN COLLECTION
Art critic Adrian Searle admires Richter paintings from the UniCredit Group that are being offered during Frieze Week
Chicago collector Robert Buford tells the story of how he almost didn’t get the chance to set a new auction record for a work by for Kenneth Noland
Meredith Etherington-Smith talks to the curator of Cut and Paste: 400 Years of Collage, an intriguing show in Edinburgh
From craquelure to patina, watermarks to brushstrokes… Our specialists on what they’re looking for when someone brings a work of art into Christie’s
A selection of artists whose reputations and markets are on the rise — featuring works offered in our Frieze Week auctions on 4 and 5 October
This Sbarro ‘Ferrari’-style car coming to Christie’s is not only exceptionally rare, it also has royal provenance