R. Cogniat, Bonnard, New York, 1968, p. 52 (illustrated in color; titled Wild Flowers and dated circa 1916).
J. and H. Dauberville, Bonnard, Catalogue raisonné de l'oeuvre peint, Paris, 1968, vol. II, p. 264, no. 699 (illustrated).
M.S. Young, "Letter from the U.S.A., Bonnard's Inquiring Eye," Apollo, vol. 114, no. 237, November 1981, p. 340 (illustrated, p. 341, fig. 5).
G. Bazin, Les fleurs, vues par les peintres, Lausanne, 1984, p. 33 (illustrated in color).
N. Watkins, Bonnard, London, 1994, p. 167 (illustrated in color, pl. 128).
J.-L. Prat, Bonnard, exh. cat., Fondation Pierre Gianadda, Martigny, 1999, p. 144.
P. Grate and P. Hedström, French Paintings III, Nineteenth Century, Stockholm, 2006, p. 56, no. 351, note 1.
E. Wilson, "Reviews, New York, 'Paul Gauguin, Odilon Redon and The Nabis,'" ArtNews, vol. 109, no. 3, March 2010, p. 107.
New York, Wildenstein & Co., Inc., Masterpieces in Bloom, April-May 1973, no. 3 (dated 1914).
New York, Wildenstein & Co., Inc., The Object As Subject, Still Life Paintings from the Seventeenth to the Twentieth Century, April-May 1975, no. 6 (illustrated; dated 1914).
Tokyo, Nihonbashi Takashimaya Art Galleries; Kobe, Hyogo Prefectural Museum of Modern Art; Nagoya, Aichi Cultural Center and Fukuoka Municipal Art Museum, Pierre Bonnard, October 1980-February 1981, no. 32 (illustrated in color, pl. 32).
Geneva, Musée Rath, Pierre Bonnard, April-June 1981, no. 34 (illustrated in color).
New York, Wildenstein & Co., Inc., The Inquiring Eye of Pierre Bonnard, November-December 1981, p. 22, no. 21 (illustrated in color, p. 58, pl. X).
Madrid, Fundación Juan March and Barcelona, Sala de la Caixa, Bonnard, October-November 1983, no. 21 (illustrated in color).
Lausanne, Fondation de l'Hermitage, Pierre Bonnard, June-October 1991, p. 154, no. 37 (illustrated in color).
Dallas Museum of Art; Richmond, Virginia Museum of Fine Arts and Denver Art Museum, Working Among Flowers, Floral Still-Life Painting in Nineteenth-Century France, October 2014-October 2015, pp. 54 and 160-161, no. 63 (illustrated in color, p. 167).