British-Australasian, London, 4 Nov. 1909 p.12.
'Social and Personal', The Telegraph, Brisbane, 13 Nov. 1913, p.8. ('Mr Roberts was represented at the Academy this year, and his painting "A Norfolk Barn" was hung on the line at the Salon in 1912.')
Observer, 8 Feb. 1914.
R.H. Croll, Tom Roberts: Father of Australian Landscape Painting, 1935, p.96.
V. Spate, Tom Roberts, Melbourne, 1972, p.144
H. Topliss, Tom Roberts 1856-1931: A Catalogue Raisonné, Melbourne, 1985, Vol.1, Text, pp.74-75 and 179, no.404, and Vol.2, Plates, pl.180.
R. Radford, Tom Roberts, Adelaide, 1996, p.190.
M. Eagle, The Oil Paintings of Tom Roberts, Canberra, 1997, p.124.
London, Royal Institute of Oil Painters, 12 Oct. 1909, no.152 ('A Barn') £26.50.
Hull, Jan. 1910.
London, Crystal Palace, Festival of Empire, British Fine Art Section, 1 June 1911.
Paris, Salon des Artistes Francais, 30 April 1912, no.1595 ('Une Grange dans le Norfolk').
Winnipeg, Royal British Colonial Society of Artists, Winnipeg Exhibition, 1912 (label on backing board).
London, Walker's Galleries, Exhibition of Paintings by Tom Roberts principally Lake Como and the Spluga Pass, 3-10 Feb. 1914, no.32 (30 gns).
London, Royal British Colonial Society and Society of Australian Artists, Dominions and States Exhibition, 1918 (label on the backing board, possibly the same as the following:)
London, Royal Academy, Royal British Colonial Society and Society of Australian Artists, War and Peace, 1918, cat.427.