Alfred Stieglitz, Camera Work, New York, no. 36, October 1911, pl. IX.
Frank Waldo et al., America & Alfred Stieglitz: A Collective Portrait, The Literary Guild, New York, 1934, pl. XXVII-B.
Dorothy Norman, Alfred Stieglitz: An American Seer, Random House/Aperture, New York, 1960, p. 65.
Beaumont Newhall, The History of Photography: From 1839 to the Present Day, The Museum of Modern Art/George Eastman House, New York, 1964, p. 112.
Doris Bry, Alfred Stieglitz: Photographer, Museum of Fine Arts, Boston, 1965, pl. 8.
Martha A. Sandweiss, Masterworks of American Photography: The Amon Carter Museum Collection, Fort Worth, 1982, pl. 74.
William Innes Homer, Alfred Stieglitz and the Photo-Secession, Little Brown and Co., Boston., 1983, p. 156.
Sarah Greenough & Juan Hamilton, Alfred Stieglitz: Photographs & Writings, Bulfinch Press/National Gallery of Art, Washington, D.C., 1999, pl. 18.
Exhibition catalogue, Modern Art And America: Alfred Stieglitz and his New York Galleries, National Gallery of Art, Washington, D.C., 2001, pl. 30, p. 140.
Sarah Greenough, Alfred Stieglitz: The Key Set, Volume One 1886-1922, Abrams/National Gallery of Art, Washington, D.C., 2002, pp. 190-94, cat. nos. 310-14.
New York, Grand Central Palace, First Annual Exhibition of the Society of Independent Artists, April 10–May 6, 1917.
Philadelphia Museum of Art, History of an American, Alfred Stieglitz: '291' and after, Selections from the Stieglitz Collection, July 1–November 1, 1944, no. 20.