N. Wakefield,’’Brasilia’ Vanishing Points’, in Parkett No. 44, Zurich 1995 (illustrated on the cover and p. 79).
D. Rimanelli, ‘Andreas Gursky’, in Artforum, May 1995 (another from the edition, illustrated, p. 96).
E. Janus, Veronica’s Revenge-Contemporary Perspectives on Photography, Zurich, 1998, p. 124.
K. Siegel, ‘Consuming Vision’, in Artforum, January 2001 (another from the edition, illustrated, p. 112).
J. Rian, ‘Andreas Gursky’s Orientations: Toward a Spiritual Energy Center’, in Flash Art, 2006, no. 187, p. 92.
Dusseldorf, Kunsthalle Düsseldorf, Andreas Gursky-Photographs from 1984 to the Present, 1998, p. 49 (another from the edition exhibited).
Wolfsburg, Kunstmuseum, Andreas Gursky. Fotografien 1994-1998, 1998-1999 (another from the edition exhibited, illustrated, pp. 20-21). This exhibition later travelled to Winterthur, Fotomuseum; London, Serpentine Gallery; Edinburgh, Scottish National Gallery of Modern Art; Turin, Castello di Rivoli Museo d’Arte Contemporaneo and Lisbon, Centro Cultural de Belém.
Cambridge, Massachusetts, Harvard University, Busch-Reisinger Museum, Landmark Pictures: Ed Ruscha/Andreas Gursky Part I, 2000 (another from the edition exhibited).
New York, Museum of Modern Art, Andreas Gursky, 2001, no. 31 (another from the edition exhibited, illustrated in colour, pp. 118-119).