Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
Monika Sprüth Galerie, Cologne.
Acquired from the above by the present owner in 1995
N. Wakefield,’’Brasilia’ Vanishing Points’, in Parkett No. 44, Zurich 1995 (illustrated on the cover and p. 79).
D. Rimanelli, ‘Andreas Gursky’, in Artforum, May 1995 (another from the edition, illustrated, p. 96).
E. Janus, Veronica’s Revenge-Contemporary Perspectives on Photography, Zurich, 1998, p. 124.
K. Siegel, ‘Consuming Vision’, in Artforum, January 2001 (another from the edition, illustrated, p. 112).
J. Rian, ‘Andreas Gursky’s Orientations: Toward a Spiritual Energy Center’, in Flash Art, 2006, no. 187, p. 92.
Dusseldorf, Kunsthalle Düsseldorf, Andreas Gursky-Photographs from 1984 to the Present, 1998, p. 49 (another from the edition exhibited).
Wolfsburg, Kunstmuseum, Andreas Gursky. Fotografien 1994-1998, 1998-1999 (another from the edition exhibited, illustrated, pp. 20-21). This exhibition later travelled to Winterthur, Fotomuseum; London, Serpentine Gallery; Edinburgh, Scottish National Gallery of Modern Art; Turin, Castello di Rivoli Museo d’Arte Contemporaneo and Lisbon, Centro Cultural de Belém.
Cambridge, Massachusetts, Harvard University, Busch-Reisinger Museum, Landmark Pictures: Ed Ruscha/Andreas Gursky Part I, 2000 (another from the edition exhibited).
New York, Museum of Modern Art, Andreas Gursky, 2001, no. 31 (another from the edition exhibited, illustrated in colour, pp. 118-119).