11 April 2008
PHILIPPE HALSMAN (1906-1979)
Dali Atomicus, 1948
gelatin silver print, printed before 1955
titled, dated, annotated 'vintage print', 'photographed in Halsman Studio' and copyright credit stamps (on the verso)
10½ x 13½in. (26.8 x 33.8cm.)
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
Halsman Sight and Insight, Doubleday & Company, Inc., 1972, pp. 176-177; Halsman A Retrospective, Little, Brown and Co., 1998, n.p.
Halsman had the idea for this photograph in 1948, at a time when Dali had just completed an important painting entitled Leda Atomica (pictured within the image). The painting was a depiction of Mrs. Dali as Leda, floating on the canvas suspended above her pedestal. From this, Halsman dreamt up a concept for a photograph, telephoned Dali, and the idea for Dali Atomica was born. The elaborately curated studio set-up by Halsman and a long standing working friendship between the artists combined to make this photograph a success.
A guide to the photographer who sold his first images to MoMA at the age of 14, illustrated with works from a dedicated online sale, 22-30 May
An introduction to the New York photographer whose controversial images fuelled a national debate on the boundaries of art
Daphne Lingon, Head of Jewellery at Christie’s in New York, on the 'dramatic' ring with which David Rockefeller proposed to Peggy in 1940
A guide to arguably South America’s most famous artist, whose work addresses everything from domestic life to bullfighting