• The Abbott Guggenheim Collecti auction at Christies

    Sale 3712

    The Abbott Guggenheim Collection: A New York Kunstkammer

    New York

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    28 January 2015

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    • A BRONZE PAIR OF PUTTI
    Lot 105

    A BRONZE PAIR OF PUTTI

    AFTER THE MODELS BY ALESSANDRO ALGARDI (1595/1598-1654) ROMAN, SECOND HALF 17TH CENTURY

    Price realised

    USD 25,000

    Estimate

    USD 20,000 - USD 30,000

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    A BRONZE PAIR OF PUTTI
    AFTER THE MODELS BY ALESSANDRO ALGARDI (1595/1598-1654) ROMAN, SECOND HALF 17TH CENTURY
    Each on a naturalistically cast base
    Putto with horn: 10 3/8 in. (26.4 cm.) high
    Putto with garland: 10 7/8 in. (27.7 cm.) high

    Provenance

    Sotheby's, New York, 22 November 1988, lot 222.

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    Literature and exhibited

    Literature

    M. Schwartz, ed., European Sculpture from the Abbott Guggenheim Collection, New York, 2008, p. 131, no. 66.

    COMPARATIVE LITERATURE:
    J. Montagu, Alessandro Algardi, London, 1985, vol. II, p. 394-396, nos. L.104, L.104 I.B.I, 104 C.I, 104 D.I and 105 D.I.


    Lot Essay

    While not always presented as a pair, both models of these bronze putti have been attributed to the Italian sculptor Alessandro Algardi by Jennifer Montagu, who also suggests that these casts became quite popular in France in the middle of the 17th century (loc. cit.)

    Similar in style to Algardi’s Infant Hercules with Snake, the model for the putto blowing a horn derives from a bronze in The Walter Art Gallery in Baltimore of a putto on a hippocamp. The present putto blows a horn while holding another one under his left arm, right where the hippocamp’s tail should follow. Another version of this model exists as part of a set of four putti playing musical instruments at the Wallace Collection in London.

    The putto holding a wreath of laurel above his head was traditionally attributed to Fran?ois Duquesnoy, and can be most closely associated with a drawing in the Uffizi gallery in Florence. Another pair of the same models is in the collections of the Louvre, Paris (inv. OA, 10289 and OA. 10288).

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