Exhibition catalogue, Henry Moore, Sculptures et Dessins, Paris, Orangerie des Tuilleries, 1977, p. 157, no. 28, illustrated.
Exhibition catalogue, Henry Moore Early Carvings 1920-1940, Leeds, City Art Galleries, 1982, p. 79, no. 38, illustrated.
D. Sylvester (ed.), Henry Moore, Complete Sculpture: 1921-48, Vol. 1, London, 1988, p. 11, no. 184.
York, City Art Gallery, Henry Roland Collection, March 1950, no. 32: this exhibition travelled to Newcastle-upon-Tyne, Hatton Gallery, April - May; Leicester, City Museum and Art Gallery, June - July; and Brighton, Art Gallery, September.
London, International Faculty of Arts, Exhibition of Contemporary Sculpture, 1952, no. 147, as ‘Reclining Woman’.
Montreal, Museum of Fine Arts, British Council, Henry Moore: an Exhibition of Sculpture and Drawings, October 1955, no. 25: this exhibition travelled to Ottawa, National Gallery of Canada, November - December 1955; Toronto, Art Gallery, January - February 1956; Winnipeg, Art Gallery Association, March - April 1956; Vancouver, Art Gallery, May - June 1956; Auckland, City Art Gallery; Dunedin, Public Art Gallery; Christchurch, Canterbury Society of Arts; Wellington, National Art Gallery of New Zealand; Port Elisabeth, King George VI Art Gallery; Salisbury, Rhodes National Gallery; Johannesburg, Art Gallery; and Bulawayo, National Museum.
Paris, Orangerie des Tuilleries, Henry Moore, Sculptures et Dessins, May - August 1977, no. 28, numbered 2/9.
London, Geffrye Museum, Works by Henry Moore, Josef Herman and Philip Sutton, June 1964, no. 3, another cast exhibited.
Leeds, City Art Galleries, Henry Moore Early Carvings 1920-1940, November 1982 - January 1983, no. 38.
Toronto, Art Gallery of Ontario, on loan 1975-1988.