26 - 27 September 2007,
Price realised GBP 1,875
GBP 1,500 - GBP 2,000
SIR ERNEST HENRY SHACKLETON (1874-1922)
South the Story of Shackleton's Last Expedition 1914-1917. London: The Complete Press for William Heinemann, 1919. 8° (250 x 155mm.) Colour-printed photographic frontispiece after Frank Hurley, one folding map, 87 monochrome plates, including 75 after photographs by Hurley [one double-page] and 5 after drawings by George Marston, illustrations. Without errata slip. (Margins browned with light offsetting onto plates, a few short tears, some to the folds of the map and one long closed tear in the margin.) Original dark blue cloth, blocked in silver on upper board and spine, lower board blocked in blind with Heinemann device (extremities lightly rubbed). Provenance: W.H. Moss (signature).
FIRST EDITION, FIRST IMPRESSION of 'a classic [account] and one of the finest in the Antarctic literature' (Rosove). For this work 'Shackleton once again had the writing assistance of Edward Saunders [as with The Heart of the Antarctic]. Shackleton dictated the text to him early in 1917; the final editing was done by Leonard Hussey of the marooned Elephant Island party ... Shackleton derived most of the account from his recollections; he had kept only a rudimentary diary. He based the stories of the marooned Elephant Island party ... and the Ross Sea party ... on diaries and conversations' (Rosove). Conrad p.224; Rosove 308.A1 ('uncommon'); Spence 1107; Taurus 105 (erroneously describing the binding as blocked in gilt).
New York +1 212 636 2000
London +44 (0)20 7839 9060
Hong Kong +852 2760 1766
Shanghai +86 21 6355 1766
No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.
Mark Wiltshire, Associate Specialist in Science & Books, walks us through the history of Christianity’s most influential printed text
Books and Manuscripts specialist Sven Becker advises on a richly rewarding and ever-evolving collectors’ market
Dina Zhang, Head of Sale for Asian Contemporary Art, explains how Hong Kong’s meeting of East and West has shaped her view of art
François de Ricqlès, President of Christie's France, explains how this exceptional work speaks to the Rockefellers’ mutually admiring relationship with France