A SMALL MULTI-COLOUR OVERLAY OPAQUE GREEN GLASS TRIPOD JAR

QIANLONG PERIOD (1736-1795)

細節

清乾隆綠地套紅白料三龍趕珠紋三足罐

罐撇口，束頸，鼓腹，底承三足。通體綠地，不透明，套紅、白料紋飾。白料雕三條螭龍，肢體卷曲，追逐紅料火珠。

此器造型獨特新穎，磨製圓熟，構圖舒朗，紋飾工緻。常規套色玻璃器多以白色為地，套各種顏色的玻璃進行裝飾。此罐卻突破常規，以深色淺色，取得了新鮮活潑的視覺效果。

此器1988年5月10日於倫敦蘇富比拍賣，拍品476號；1989年4月於倫敦斯賓克再次賣出；1990年4-6月於紐約華美協進社舉辦之《Clear as Crystal, Red as Flame》展出，並著錄於展覽目錄圖版第58號。

來源

Previously sold at Sotheby's London, 10 May 1988, lot 476
Spink & Son, London, April 1989

出版

C. Brown and D. Rabiner, Clear as Crystal, Red as Flame, China Intitute in America, New York, 1990, no. 58

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拍品專文

A related tripod jar or incense burner, with thick translucent green body similarly decorated in white overlay with chilong separated by reddish-pink lingzhi, rather than the flaming pearls of the present vessel, dated to the first half of the 18th century, is illustrated by C. Brown and D. Rabiner, The Robert H. Clague Collection: Chinese Glass of the Qing Dynasty, 1644-1911, Phoenix Art Museum, 1987, no. 22. See, also, the small ovoid vase with similar opaque green body and similar chilong and flaming pearls carved from white and reddish-pink overlay, inscribed with a Qianlong four-character mark, in the Andrew K.F. Lee Collection, illustrated in Elegance and Radiance, The Art Museum, The Chinese University of Hong Kong, 2000, no. 124.

QIANLONG PERIOD (1736-1795)

拍品專文

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