Rosalba Carriera (Venice 1675-1757)
Rosalba Carriera (Venice 1675-1757)

Portrait of a young gentleman, half-length, in a brown coat, turned to the right

Details
Rosalba Carriera (Venice 1675-1757)
Portrait of a young gentleman, half-length, in a brown coat, turned to the right
pastel on blue paper
22 x 18 ½ in. (57 x 46 cm)
Provenance
Royal Collections, Dresden by 1765 (inv. P78), returned to the Wettin family in 1924.
H. Ball, Berlin 1925.
Catalina von Pannwitz, Hartecamp and London (1876-1959).
with Rosenberg & Stiebel, New York.
Literature
C.G. Wenzel and J.A. Riedel, Catalogue des tableaux de la Galerie Électorale à Dresde, Dresden 1765, p. 240.
K. Wörmann, Katalog der königlichen Gemäldegalerie zu Dresden, Dresden 1887, p. 770.
H. Posse, Katalog der staatlichen Gemäldegalerie zu Dresden, Dresden and Berlin 1920, p. 294.
B. Sani, Rosalba Carriera, Turin 1988, no. 201, ill.
N. Jeffares, Dictionary of pastellists before 1800, London 2006, p. 113.
B. Sani, Rosalba Carriera 1673-1757. Maestra del pastello nell’Europa ancien régime, Turin 2007, no. 220, pl. XI.
N. Jeffares, Dictionary of pastellists before 1800, London, online edition [accessed December 2017], no. J.21.2259, ill.

Lot Essay

This pastel was part of the royal collections in Dresden until 1924 when it was returned to the Wettin family collection as part of the treaty between the state of Saxony and the Albertin branch of the Wettin family. It has retained its original frame by Joseph Deibel (1716-1793), who became Court sculptor in 1752 and who supplied frames for the Gemaldegalerie, Dresden. In her 2007 catalogue raisonné on the artist, Bernardina Sani compares the pastel to the portrait of a man in the National Gallery, London (ibid., no. 165, ill.) and to another portrait of a man in the Gallerie dell'Accademia, Venice (op. cit., no. 224, ill.), both sitters looking over their shoulders. The present work is a characteristic and accomplished example of Rosalba's art; it shows her flair for capturing a sitter's character as well as her outstanding ability to render different textures, particularly noticeable in the delicate lace and embroidery of the clothes.

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