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Lot Essay
Finding its beauty in simplicity of curves and rich mahogany graining, through cabriole legs with sharp edges and sweeping curves ending in a dramatic large disc foot, this table is an exceptional example of the Newport, Rhode Island aesthetic as executed through the workmanship of master craftsman John Goddard (1723-1785).
Idiosyncratic construction details of this table clearly indicate the work of John Goddard. The construction of the undercarriage, with cross braces which pass through the skirt, the use of a knuckle-joint swing mechanism and a swing leg that covers a portion of the skirt are a few aspects of construction indicitive of his hand (see Moses, "Authenticating John Townsend's and John Goddard's Queen Anne and Chippendale Tables," Antiques (May 1982), pp. 1130-1143). Both the table offered here, and one in a private collection that is documented to John Goddard through a bill of sale, were constructed in this manner (see Moses, p. 1132, figs. 4 and 4A). In addition, the use of sap wood as a decorative element on the skirt is characteristic of the works created by Goddard.
Idiosyncratic construction details of this table clearly indicate the work of John Goddard. The construction of the undercarriage, with cross braces which pass through the skirt, the use of a knuckle-joint swing mechanism and a swing leg that covers a portion of the skirt are a few aspects of construction indicitive of his hand (see Moses, "Authenticating John Townsend's and John Goddard's Queen Anne and Chippendale Tables," Antiques (May 1982), pp. 1130-1143). Both the table offered here, and one in a private collection that is documented to John Goddard through a bill of sale, were constructed in this manner (see Moses, p. 1132, figs. 4 and 4A). In addition, the use of sap wood as a decorative element on the skirt is characteristic of the works created by Goddard.