A FINE AND RARE CELADON-GLAZED MOULDED 'ROPE TWIST' GLOBULAR VASE
A FINE AND RARE CELADON-GLAZED MOULDED 'ROPE TWIST' GLOBULAR VASE
A FINE AND RARE CELADON-GLAZED MOULDED 'ROPE TWIST' GLOBULAR VASE
1 更多
A FINE AND RARE CELADON-GLAZED MOULDED 'ROPE TWIST' GLOBULAR VASE
4 更多
PROPERTY FROM A GERMAN FAMILY COLLECTION
清雍正  粉青釉網絡尊  六字篆書款

YONGZHENG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1723-1735)

細節
網絡尊,於清代舊稱「絡子尊」。《清檔》記載,乾
隆二年十月十三日,「傳旨:……再唐英所進……冬
青釉絡子尊……此十一樣款式不好,不必燒造。」今
北京故宮清宮舊藏冬青釉網絡尊,即《清檔》所載乾
隆二年燒造品種,參見《故宮博物院藏文物珍品大
系—顏色釉》,香港,1999 年,頁155,圖140。
網絡尊,因腹部有凸起的網絡紋而得名,為雍正朝單
色釉名貴品種。《清檔》所稱「絡子」一詞,與三代
青銅器裝飾相關。清乾隆帝例選清宮舊藏青銅器,編
選《西清古鑒》一書,書內卷二十一所刊「漢圓絡壺」
與「漢絡紋壺」(圖一)所飾絡紋與1963 年河北平山
穆家莊戰國墓出土絡繩紋壺相類(參見《戰國雄風 —
河北省中山國王墓文物展》,香港藝術館,1999 年,
頁144,圖56),其絡紋亦與本拍品所飾網絡造型近似。
器形圓潤,通體滿施粉青釉,釉質粉嫩溫柔。器腹環
繞貼塑網絡繩紋一周,兩側飾以繩紋提手,不僅使得
器物造型線條增添了變化,還使得粉青釉色濃淡層次
更加豐富,同時又使器物本身與魚簍概念接近,而和
文人「漁父」理念相合,為雍正朝單色釉著名品類,
極為珍罕。類似雍正本朝器物極為少見,參考上海博
物館所藏一例,著錄於上海博物館藏品研究大系《清
代雍正 — 宣統官窯瓷器》上海,2014 年,圖版5-22;
及香港蘇富比2003 年10 月26 日拍賣一件,拍品53 號。
來源
德國駐華外交官Hermann Dobrikow(1928 年卒於北京) 舊藏,1930 年經柏林Lepke 拍賣行賣於德國私人藏家 現任藏家於1996 年購藏

拍品專文

The unusual design of the present vase is based on earlier archaic bronze wine jars dating to as early as the Warring States period (475- 221 BC). The raised rope twist pattern seen on the archaic examples was originally intended to imitate the use of rope to carry vessels traditionally used by Chinas northern nomadic people. The two loop handles represented on the current lot as well as the globular form may elude to a traditional fishing basket. An example of a bronze hu-form wine vessel with raised rope-twist pattern, excavated from a Warring States period tomb at Mujiazhuang in Pingshan, Hebei province is illustrated in Warring States Treasures: Cultural Relics form the State of Zhongshan, Hebei Province, Hong Kong, 1999, pp. 144-145, no. 56. Compare also to another bronze hu with similar decoration dated to the Han dynasty, illustrated in Xiqing gujian, juan 21. An almost identical vase to the present lot is in the Shanghai Museum, illustrated in Qingdai Yongzheng - Xuantong guanyao ciqi, Shanghai bowuguan cangpin yanjiu daxi, Shanghai, 2014, fig. 5-22; and another was sold at Sothebys Hong Kong, 26 October 2003, lot 53. The design continued in the proceeding reign period as indicated by a Qianlong-marked example, in the collection of the Palace Museum, Beijing, illustrated in Monochrome Porcelain, the Complete Collection of the Palace Museum, Beijing, vol. 37, Hong Kong, 1999, p. 155, no. 140.

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