27 - 28 October 1999
Of black ovals each mounted in a plain surround on a gold-tone box-link chain, worn by Marilyn Monroe, circa 1956.
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This March sees the first US retrospective of Donald Judd in 30 years, revealing aspects of the artist’s practice that may surprise those who think they know it well
From labels and staples to stretchers and repairs — the reverse of an artwork can reveal more about it than you might suppose