A PAIR OF GEORGE II GILTWOOD CONSOLE TABLES
No VAT will be charged on the hammer price, but VA… Read more
A PAIR OF GEORGE II GILTWOOD CONSOLE TABLES

Details
A PAIR OF GEORGE II GILTWOOD CONSOLE TABLES
Each with shaped rectangular moulded Brèche d'Alep marble top above a lappeted cavetto frieze with pierced rockwork apron wreathed with scrolling foliage, centred by a pierced cartouche and confronting C-scrolls, the angles with caryatids on scrolled cabriole legs hung with floral garlands, on a shaped marbelised base, with remains of paper label to the underside of one inscribed in ink '...rom Cleeve Roch /(?) 19.5.41', regessoed and regilt
32 in. (81.5 cm.) high; 39½ in. (100.5 cm.) wide; 21 in. (53.5 cm.) deep (2)
Provenance
With Simon Redburn, circa 1977
The Lord McAlpine of West Green.
With Hotspur Ltd., 1989.
Literature
Sotheby's house sale catalogue, 16-17 May 1990, The Lord McAlpine of West Green, house sale p.7, (illustrated in situ in the Drawing Room).
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

The pier-table frames are supported by Arcadian nymph heads issuing from flower-festooned, hermed and voluted trusses. French 'picturesque' patterns for such plinth-supported consoles featured in Bernard Toro'’s, Livre de Tables de Diverses Formes, Paris, 1716; and in Nicolas Pineau'’s designs issued by J. J. Mariette in Nouveaux Desseins de Pieds de Tables et de Vases et Consoles de sculpture en bois, Paris, 1734. One of Pineau'’s designs, embellished with the head and 'draco' serpent of the harvest deity Ceres, was plagiarised for a sideboard-table pattern entitled a 'Marble Table' that was issued in Batty Langley's, The City and Country Builder's and Workman's Treasury of Designs, London, 1740, pl. CXLIII.

The hermed and lambrequined figures in Pineau's design also inspired a 'slab table' pattern issued in William Jones' The Gentlemen's or Builder's Companion containing a variety of useful designs, London, 1939 (pl. 32). The fretted cartouches of these tables as well as their lambrequined figures derive from the same Pineau pattern; while their acanthus-wrapped friezes and large foliage issuing from voluted trusses relate to another of Jones's patterns (pl. 29).

Related garlanded and nymph-headed trusses feature on a mahogany sideboard-table bequeathed to the Victoria & Albert Museum in 1962 (No. W49-1962).

More from Important English Furniture

View All
View All